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Why Guy needs a pie in the face, with Sydney Schwindt
Manage episode 451396687 series 2717369
For transcriptions and more detailed shownotes, please go to:
To support the show, come join the Patrons at https://www.patreon.com/theswordguy
Sydney Schwindt is an actor, fight director and clown. She is also an artist and illustrator.
In our conversation, we talk about how Sydney got into fight direction and some of the plays Sydney has worked on, or would like to work on and the swords she enjoys using.
We also talk about being a clown, and the joy of having the audience throw a pie in your face. This leads us into a discussion about some of Shakespeare’s clowns and how they have been portrayed on film by different actors, more or less successfully.
Sydney has a website for her art, called True Edge Art, and we talk about some of her designs and what inspires her. A big part of her inspiration in both her visual art and her stage work is environmentalism, and she is keen to do more work making the violence of climate change feel more real and more visceral by embodying it through actual violence on stage.
And she’s also going to do a one-person show about a clown raccoon.
199 episoder
Manage episode 451396687 series 2717369
For transcriptions and more detailed shownotes, please go to:
To support the show, come join the Patrons at https://www.patreon.com/theswordguy
Sydney Schwindt is an actor, fight director and clown. She is also an artist and illustrator.
In our conversation, we talk about how Sydney got into fight direction and some of the plays Sydney has worked on, or would like to work on and the swords she enjoys using.
We also talk about being a clown, and the joy of having the audience throw a pie in your face. This leads us into a discussion about some of Shakespeare’s clowns and how they have been portrayed on film by different actors, more or less successfully.
Sydney has a website for her art, called True Edge Art, and we talk about some of her designs and what inspires her. A big part of her inspiration in both her visual art and her stage work is environmentalism, and she is keen to do more work making the violence of climate change feel more real and more visceral by embodying it through actual violence on stage.
And she’s also going to do a one-person show about a clown raccoon.
199 episoder
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