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The Cobra, The Fuse and The Woman at the End of The World (with Kiko Dinucci)

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Manage episode 321111934 series 2827616
Indhold leveret af Fil Corbitt and The Wind. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af Fil Corbitt and The Wind eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

Kiko Dinucci: “It's been about 10 years since I've realized that in my music, in all my works and projects, such as Metá Metá, I have been working with something beautiful and something ugly; something violent and something lyrical. And I think Brazil is like that. It is a tropical country with wonderful nature, but it has its past and history marked by death, exploitation, and so on and so on… So we live with many amazing things, especially when we think about our culture and nature; but there's a lot of bad stuff too. Thus, we still have a lot of marks from our colonial period, from slavery, from military dictatorship… so I got used to writing songs in this way: bringing together beautiful and ugly things; lyrical and violent things. I like that mix and I like artists who play with it.”

To support The Wind, become a patron at www.patreon.com/thewind

Subscribe at thewind.org

  continue reading

42 episoder

Artwork
iconDel
 
Manage episode 321111934 series 2827616
Indhold leveret af Fil Corbitt and The Wind. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af Fil Corbitt and The Wind eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

Kiko Dinucci: “It's been about 10 years since I've realized that in my music, in all my works and projects, such as Metá Metá, I have been working with something beautiful and something ugly; something violent and something lyrical. And I think Brazil is like that. It is a tropical country with wonderful nature, but it has its past and history marked by death, exploitation, and so on and so on… So we live with many amazing things, especially when we think about our culture and nature; but there's a lot of bad stuff too. Thus, we still have a lot of marks from our colonial period, from slavery, from military dictatorship… so I got used to writing songs in this way: bringing together beautiful and ugly things; lyrical and violent things. I like that mix and I like artists who play with it.”

To support The Wind, become a patron at www.patreon.com/thewind

Subscribe at thewind.org

  continue reading

42 episoder

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