Artwork

Indhold leveret af Michael Blevins, Mark Twight, Michael Blevins, and Mark Twight. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af Michael Blevins, Mark Twight, Michael Blevins, and Mark Twight eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.
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# 200 — Adam St. Simons

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Manage episode 338354287 series 2798928
Indhold leveret af Michael Blevins, Mark Twight, Michael Blevins, and Mark Twight. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af Michael Blevins, Mark Twight, Michael Blevins, and Mark Twight eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

Adam is an Event Director, Tour Producer, and Artist Manager in the live music industry. He sat down with Michael to discuss the different aspects of music, the industry, and the general population’s relationship to entertainment. They cover ground on music as therapy, the troubles of industrialized psychedelic medicine, and inherent problems associated with commodifying art.

  continue reading

243 episoder

Artwork

# 200 — Adam St. Simons

The NonProphet Podcast

12 subscribers

published

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Manage episode 338354287 series 2798928
Indhold leveret af Michael Blevins, Mark Twight, Michael Blevins, and Mark Twight. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af Michael Blevins, Mark Twight, Michael Blevins, and Mark Twight eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

Adam is an Event Director, Tour Producer, and Artist Manager in the live music industry. He sat down with Michael to discuss the different aspects of music, the industry, and the general population’s relationship to entertainment. They cover ground on music as therapy, the troubles of industrialized psychedelic medicine, and inherent problems associated with commodifying art.

  continue reading

243 episoder

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