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The Art of Longevity Season 9 Preview, with Real Estate

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Manage episode 401315129 series 2926342
Indhold leveret af The Song Sommelier. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af The Song Sommelier eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

When Real Estate's fifth album The Main Thing was released to fairly mixed results, was it time for a reset? In a sense, yes. For band leader Martin Courtney, it was time to get back to songs. After all, without songs, bands are just jamming, right? He set the bar high too, inspired mostly by the 1992 R.E.M. classic Automatic For The People.

Besides, you cannot call in a producer like Daniel Tashian without being able to play him songs of exceptionally high standard. For a start, Tashian produced Kacey Musgrave’s modern classic Gold Hour, as well as writing a bunch of understated classics with his own band The Silver Seas.

Consider then, that the batch of songs landing on the new Real Estate album Daniel were so good that Tashian (who co-writes with many of the artists he produces) only tinkered with them. And in doing so, hopefully gave each one a liberal sprinkling of his magic song fairy dust.

“In terms of his input into the songs it was minimal. Daniel was more like a cheerleader in the studio. He’s so fun - he’ll be jumping around and hype you up - so it’s much less daunting in the studio having him around. Graig Alvin mixed the record, and he’s also won Grammy’s too. We had high-powered people in the room”.

Despite all this, Martin sounds surprised at the possibility of creating a classic album, although Daniel has the potential to be just that. What that means, in this day & age, is another thing entirely. Yet the band has been in classic album territory before, in 2014, with Atlas - songs from which brightened up daytime radio, found their way onto the biggest indie streaming playlists - and even landed that record on the Billboard top 40 and UK album charts.

A decade on, with the music landscape much altered, the expectations for Daniel are less certain. In Courtney's own words “I know there is a good chance that it will come and go, like everything else these days”. But be assured that if you do become familiar with the record, it will pay you back dividends for a long time to come.
So where does a band like Real Estate fit into the modern music industry landscape? Still in the game and getting better, the band’s cultural caliber is steadily rising.

Support the show

Get more related content at: https://www.songsommelier.com/

  continue reading

68 episoder

Artwork
iconDel
 
Manage episode 401315129 series 2926342
Indhold leveret af The Song Sommelier. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af The Song Sommelier eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

When Real Estate's fifth album The Main Thing was released to fairly mixed results, was it time for a reset? In a sense, yes. For band leader Martin Courtney, it was time to get back to songs. After all, without songs, bands are just jamming, right? He set the bar high too, inspired mostly by the 1992 R.E.M. classic Automatic For The People.

Besides, you cannot call in a producer like Daniel Tashian without being able to play him songs of exceptionally high standard. For a start, Tashian produced Kacey Musgrave’s modern classic Gold Hour, as well as writing a bunch of understated classics with his own band The Silver Seas.

Consider then, that the batch of songs landing on the new Real Estate album Daniel were so good that Tashian (who co-writes with many of the artists he produces) only tinkered with them. And in doing so, hopefully gave each one a liberal sprinkling of his magic song fairy dust.

“In terms of his input into the songs it was minimal. Daniel was more like a cheerleader in the studio. He’s so fun - he’ll be jumping around and hype you up - so it’s much less daunting in the studio having him around. Graig Alvin mixed the record, and he’s also won Grammy’s too. We had high-powered people in the room”.

Despite all this, Martin sounds surprised at the possibility of creating a classic album, although Daniel has the potential to be just that. What that means, in this day & age, is another thing entirely. Yet the band has been in classic album territory before, in 2014, with Atlas - songs from which brightened up daytime radio, found their way onto the biggest indie streaming playlists - and even landed that record on the Billboard top 40 and UK album charts.

A decade on, with the music landscape much altered, the expectations for Daniel are less certain. In Courtney's own words “I know there is a good chance that it will come and go, like everything else these days”. But be assured that if you do become familiar with the record, it will pay you back dividends for a long time to come.
So where does a band like Real Estate fit into the modern music industry landscape? Still in the game and getting better, the band’s cultural caliber is steadily rising.

Support the show

Get more related content at: https://www.songsommelier.com/

  continue reading

68 episoder

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