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Indhold leveret af Daniel Vezza. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af Daniel Vezza eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.
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podcast 23-Eric Wubbels

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Manage episode 195964536 series 1942586
Indhold leveret af Daniel Vezza. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af Daniel Vezza eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

Eric is a New York based composer pianist, and Executive Director of Wet Ink. His music has been performed by Kammerensemble Neue Musik Berlin, ICE, Yarn/Wire, Left Coast Chamber Ensemble and The Knights. He is currently Visiting Assistant Professor of Composition at Oberlin Conservatory. You can listen to more of his music at www.wubbelsmusic.com

In our conversation we talk about the satisfaction of performing and listening to scrutable music, the critical apparatus of New Music in the U.S., and finding a methodology when composing.

  continue reading

67 episoder

Artwork
iconDel
 
Manage episode 195964536 series 1942586
Indhold leveret af Daniel Vezza. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af Daniel Vezza eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

Eric is a New York based composer pianist, and Executive Director of Wet Ink. His music has been performed by Kammerensemble Neue Musik Berlin, ICE, Yarn/Wire, Left Coast Chamber Ensemble and The Knights. He is currently Visiting Assistant Professor of Composition at Oberlin Conservatory. You can listen to more of his music at www.wubbelsmusic.com

In our conversation we talk about the satisfaction of performing and listening to scrutable music, the critical apparatus of New Music in the U.S., and finding a methodology when composing.

  continue reading

67 episoder

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