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Indhold leveret af Daniel Vezza. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af Daniel Vezza eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.
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podcast 22-Sam Pluta

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Manage episode 195964535 series 1942586
Indhold leveret af Daniel Vezza. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af Daniel Vezza eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

Sam is a New York based composer and improviser. He is Technical Director and electronics performer for the Wet Ink Ensemble, and has been commissioned and premiered by Mivos Quartet, Yarn/Wire, ICE, Timetable Percussion, RIOT Trio, and So Percussion. You can hear more of his music at www.sampluta.com.

In our conversation we talk about his transition from computer science to electronic music, the time he spent working and studying in the UK, and the inherent aesthetic preferences of computer music programs.

  continue reading

67 episoder

Artwork
iconDel
 
Manage episode 195964535 series 1942586
Indhold leveret af Daniel Vezza. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af Daniel Vezza eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

Sam is a New York based composer and improviser. He is Technical Director and electronics performer for the Wet Ink Ensemble, and has been commissioned and premiered by Mivos Quartet, Yarn/Wire, ICE, Timetable Percussion, RIOT Trio, and So Percussion. You can hear more of his music at www.sampluta.com.

In our conversation we talk about his transition from computer science to electronic music, the time he spent working and studying in the UK, and the inherent aesthetic preferences of computer music programs.

  continue reading

67 episoder

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