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Episode five: Backxwash

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Manage episode 361751483 series 3457406
Indhold leveret af a Kind of Harmony and A Kind of Harmony. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af a Kind of Harmony and A Kind of Harmony eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

In this episode we spoke with Backxwash aka Ashanti Mutinta. She is a Zambian-Canadian rapper & producer based in Montreal, Quebec. She is most noted for her 2020 Polaris Music Prize-winning album God Has Nothing To Do With This Leave Him Out Of It.

Her work is based in the horrorcore, hip-hop and industrial metal genres, and includes a culmination of themes around the intersection between faith, identity, and queerness. The poetry of her lyrics are the beginning of a cathartic healing process in which she is granting herself permission to be angry.

We spoke with Ashanti about her practice as a musician - we discussed sound as a decolonial force, rage as catharsis and sampling as a way to reconnect with lineage & place.

  continue reading

11 episoder

Artwork
iconDel
 
Manage episode 361751483 series 3457406
Indhold leveret af a Kind of Harmony and A Kind of Harmony. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af a Kind of Harmony and A Kind of Harmony eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

In this episode we spoke with Backxwash aka Ashanti Mutinta. She is a Zambian-Canadian rapper & producer based in Montreal, Quebec. She is most noted for her 2020 Polaris Music Prize-winning album God Has Nothing To Do With This Leave Him Out Of It.

Her work is based in the horrorcore, hip-hop and industrial metal genres, and includes a culmination of themes around the intersection between faith, identity, and queerness. The poetry of her lyrics are the beginning of a cathartic healing process in which she is granting herself permission to be angry.

We spoke with Ashanti about her practice as a musician - we discussed sound as a decolonial force, rage as catharsis and sampling as a way to reconnect with lineage & place.

  continue reading

11 episoder

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