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Indhold leveret af Sarah Wilson. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af Sarah Wilson eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.
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Manage episode 381861997 series 2893163
Indhold leveret af Sarah Wilson. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af Sarah Wilson eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

This week’s question comes from long-time reader, frequent and generous commenter Kei Ikeda, but it’s one I’ve been asked a few times - What goes into producing Wild?


My short answer would be: a lot of swirling self-doubt, over-analysis, faking-till-making and ad hoc recording set-ups. Here, I chat (on a cold Paris afternoon) about my recording equipment, how I contact guests, how the costs stack up, how the brand advertising and sponsorship works and more.


I flagged a few previous episodes you might want to catch up on with Sheena Iyengar and Sister Helen Prejean.


In 15 minutes (OK, 20 minutes) I don’t cover everything, so I invite you to ask me anything I missed in the comment section over on Substack. Also, I’ll start a thread on Sunday (again, over at Substack), as suggested by a bunch of you, where we can maybe thrash out a few ways to keep Wild going together. See you there.


If you need to know a bit more about me… head to my "about" page

For more such conversations subscribe to my Substack newsletter, it’s where I interact the most!

Get your copy of my book, This One Wild and Precious Life

Let’s connect on Instagram



Hosted on Acast. See acast.com/privacy for more information.

  continue reading

162 episoder

Artwork
iconDel
 
Manage episode 381861997 series 2893163
Indhold leveret af Sarah Wilson. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af Sarah Wilson eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

This week’s question comes from long-time reader, frequent and generous commenter Kei Ikeda, but it’s one I’ve been asked a few times - What goes into producing Wild?


My short answer would be: a lot of swirling self-doubt, over-analysis, faking-till-making and ad hoc recording set-ups. Here, I chat (on a cold Paris afternoon) about my recording equipment, how I contact guests, how the costs stack up, how the brand advertising and sponsorship works and more.


I flagged a few previous episodes you might want to catch up on with Sheena Iyengar and Sister Helen Prejean.


In 15 minutes (OK, 20 minutes) I don’t cover everything, so I invite you to ask me anything I missed in the comment section over on Substack. Also, I’ll start a thread on Sunday (again, over at Substack), as suggested by a bunch of you, where we can maybe thrash out a few ways to keep Wild going together. See you there.


If you need to know a bit more about me… head to my "about" page

For more such conversations subscribe to my Substack newsletter, it’s where I interact the most!

Get your copy of my book, This One Wild and Precious Life

Let’s connect on Instagram



Hosted on Acast. See acast.com/privacy for more information.

  continue reading

162 episoder

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