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Podcast 2, Act Two

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Manage episode 156481613 series 1190862
Indhold leveret af Wesley Stace. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af Wesley Stace eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.
You can’t stop the readings: nobody can stop the readings! Mr Stace performs his classic “Makin’ Love to Bob Dylan”. Bob’s Burger’s own Eugene Mirman takes center-stage to tickle the City Winery’s collective funny bone, before Cabinet favourite Kristin Hersh sets about “Krait” from Crooked and Throwing Muses classic “Devil’s Roof”. Siri Hustvedt illuminates us with a reading from her transcendent novel “The Blazing World”, before the audience thrills to Chicago’s own Robbie Fulks who brings the show to a frenetic climax with Jerry Reed’s “Guitar Man”. (The house band reveal that they have mistakenly learned Bread’s song of the same name. A brief argument ensues.) The assembled company take the stage for the traditional processional hymn “Religious Experience.”
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6 episoder

Artwork
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Manage episode 156481613 series 1190862
Indhold leveret af Wesley Stace. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af Wesley Stace eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.
You can’t stop the readings: nobody can stop the readings! Mr Stace performs his classic “Makin’ Love to Bob Dylan”. Bob’s Burger’s own Eugene Mirman takes center-stage to tickle the City Winery’s collective funny bone, before Cabinet favourite Kristin Hersh sets about “Krait” from Crooked and Throwing Muses classic “Devil’s Roof”. Siri Hustvedt illuminates us with a reading from her transcendent novel “The Blazing World”, before the audience thrills to Chicago’s own Robbie Fulks who brings the show to a frenetic climax with Jerry Reed’s “Guitar Man”. (The house band reveal that they have mistakenly learned Bread’s song of the same name. A brief argument ensues.) The assembled company take the stage for the traditional processional hymn “Religious Experience.”
  continue reading

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