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Episode 115: Motivation-Reaction Units

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Manage episode 206226482 series 2311886
Indhold leveret af The Writership Podcast and Leslie Watts. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af The Writership Podcast and Leslie Watts eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

In this episode, fiction editors Leslie Watts and Kim Kessler critique the first chapter of Passage, a fantasy/women’s society novel by S. Thies. This week’s author submitted her scene in first- and third-person point of view, providing an opportunity for us to ask, how can you improve your scenes no matter which POV you choose? The answer is MRUs, that is Motivation-Reaction Units. If you practice writing these stimulus-and-response sequences within your scenes, your character’s reactions will make sense and be unique to them. And more importantly, your reader will get to experience the events of the story (as opposed to merely reading about them).

  continue reading

137 episoder

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Manage episode 206226482 series 2311886
Indhold leveret af The Writership Podcast and Leslie Watts. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af The Writership Podcast and Leslie Watts eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

In this episode, fiction editors Leslie Watts and Kim Kessler critique the first chapter of Passage, a fantasy/women’s society novel by S. Thies. This week’s author submitted her scene in first- and third-person point of view, providing an opportunity for us to ask, how can you improve your scenes no matter which POV you choose? The answer is MRUs, that is Motivation-Reaction Units. If you practice writing these stimulus-and-response sequences within your scenes, your character’s reactions will make sense and be unique to them. And more importantly, your reader will get to experience the events of the story (as opposed to merely reading about them).

  continue reading

137 episoder

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