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Indhold leveret af Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.
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178 | The Holdovers Writer David Hemingson On Finding Humanity In Our Characters

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Manage episode 399934846 series 2856508
Indhold leveret af Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

Despite this being his first produced feature, David Hemingson's script for THE HOLDOVERS is one of the most celebrated of the year, nominated for over 40 industry prizes (including the Oscar), having won many of them. He's a self-proclaimed "journeyman" writer having bounced between children's animated, network comedy, and hourlong procedurals for over two decades. Even given his decades of experience, his approach to working with Alexander Payne was still one of humility, openness, and discovery. Today, David, Lorien, and Jeff, discuss how Hemingson's "unsellable" pilot about an all boys prep school became a new American classic.

JOIN OUR PATREON: www.patreon.com/thescreenwritinglife

  continue reading

232 episoder

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Manage episode 399934846 series 2856508
Indhold leveret af Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

Despite this being his first produced feature, David Hemingson's script for THE HOLDOVERS is one of the most celebrated of the year, nominated for over 40 industry prizes (including the Oscar), having won many of them. He's a self-proclaimed "journeyman" writer having bounced between children's animated, network comedy, and hourlong procedurals for over two decades. Even given his decades of experience, his approach to working with Alexander Payne was still one of humility, openness, and discovery. Today, David, Lorien, and Jeff, discuss how Hemingson's "unsellable" pilot about an all boys prep school became a new American classic.

JOIN OUR PATREON: www.patreon.com/thescreenwritinglife

  continue reading

232 episoder

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