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Two Years Later: A Look At Whether Gender Parity Has Improved at Music Festivals

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Manage episode 205647360 series 17230
Indhold leveret af Noise Pop Industries and Noise Pop. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af Noise Pop Industries and Noise Pop eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

Two years ago, we released an episode entitled "Where Are All The Female Festival Headliners?" which looked at the utter lack of big name female acts atop music festival bills, despite no shortage of qualified female-fronted acts to fit those slots. Journalist Alyssa Pereira (SFGate/SF Chronicle) joins host Adrian Spinelli once again, to look at how the festival industry has progressed...or hasn't, in the two years since. Also joining the show, is University of Chicago Data Scientist Rob Mitchum, whose festival gender balance-tracking data visualizations have appeared in Pitchfork for the past two years.

  continue reading

202 episoder

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Manage episode 205647360 series 17230
Indhold leveret af Noise Pop Industries and Noise Pop. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af Noise Pop Industries and Noise Pop eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

Two years ago, we released an episode entitled "Where Are All The Female Festival Headliners?" which looked at the utter lack of big name female acts atop music festival bills, despite no shortage of qualified female-fronted acts to fit those slots. Journalist Alyssa Pereira (SFGate/SF Chronicle) joins host Adrian Spinelli once again, to look at how the festival industry has progressed...or hasn't, in the two years since. Also joining the show, is University of Chicago Data Scientist Rob Mitchum, whose festival gender balance-tracking data visualizations have appeared in Pitchfork for the past two years.

  continue reading

202 episoder

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