850 Hear Hymn Come, Lord Jesus #1018

The Cultural Hall Podcast

Hymn Overview

• Title and Number: “Come, Lord Jesus,” Song Number 1018 from “Hymns—For Home and Church.”
• First Line or Key Line: N/A (The specific lyrics aren’t provided here, but this hymn’s title suggests a theme of inviting the Savior’s presence.)
• Historical Context:
  • This hymn was first featured in the Church production “Savior of the World: His Birth and Resurrection” in 2000.
  • The music was composed by David A. Zabriskie in 2000.

Composers: The hymn was a collaborative effort, with contributions from David Warner, Cynthia Collier, Erik Orton, Dennis Packard, Sherry Wadham, Timothy Wadham, and David Zabriskie1.

Year Written: 2000

History and Inspiration

“Come, Lord Jesus” was written specifically for the Church’s musical drama production Savior of the World: His Birth and Resurrection, which premiered in November 2000 at the Conference Center Theater in Salt Lake City1. The production was created under the direction of the First Presidency and the Quorum of the Twelve Apostles, aiming to depict the birth and resurrection of Jesus Christ through music and drama.

Why It Was Written

The hymn was composed to capture the anticipation and longing for the Savior’s return, reflecting themes of hope, redemption, and the Second Coming. It serves as a poignant reminder of the Savior’s promise to return and reign, encouraging believers to prepare spiritually for His coming1.

Publication History

While “Come, Lord Jesus” was initially part of the Savior of the World production, it has since been included in various Church music collections and has been performed in numerous Church meetings and events1. However, it was not part of the traditional hymnbook until its recent inclusion in the new global hymnbook project2.

This hymn’s rich narrative and its connection to a significant Church production make it an excellent topic for your podcast. It offers a unique perspective on how the Church uses music and drama to convey important doctrinal themes.

Cultural and Religious Significance

• Is this hymn common outside the LDS culture?
  • Given its origins in a specific LDS Church production, “Come, Lord Jesus” is unique to LDS culture and not widely known outside of it.
• Central Theme and Doctrine:
  • The theme likely centers on inviting Jesus Christ’s presence, reflecting on His role as Savior and Redeemer.
• Fulfillment of Church’s Hymn Selection Criteria:
  • Increase faith in and worship of Heavenly Father and Jesus Christ: The hymn directly calls for the presence of the Savior, fostering a sense of anticipation and devotion.
  • Teach core doctrine with power and clarity: It reinforces the doctrine of Christ’s role as Redeemer and the longing for His return.
  • Invite joyful singing at home and church: It originates from a musical production, suggesting it is both moving and joyful.
  • Comfort the weary and inspire endurance in faith: The hymn’s theme of inviting Christ’s presence could bring comfort and hope to listeners.
  • Unify Latter-day Saints and others worldwide: As a part of a church-wide musical production, it has the potential to be a unifying piece.

Inclusion Rationale

• Why is it now included?
  • The inclusion in the 2024 hymnal suggests that the hymn has gained importance in LDS worship, possibly due to its connection to the “Savior of the World” production, which highlights significant events in Christ’s life.

Impact and Reception

• As it was part of the “Savior of the World” production, it has likely resonated with members familiar with that performance. Its impact on worship services could be significant, especially in settings focusing on themes of Christ’s return and redemption.

Additional Notes

• Interesting Facts: The hymn is unique in that it comes from an LDS Church production, adding a multimedia aspect to its history.
• Copyright Information: The hymn is © 2000, 2024 by Intellectual Reserve, Inc., and may be copied for incidental, noncommercial Church or home use.

This analysis aligns with the Hear Hymn segment framework​. If additional insights, such as testimonies or multimedia renditions, become available, they could enrich this discussion further.

Come, Lord Jesus, to the manger.

May we see Thy tender face—

Great Creator, here a stranger,

Infant in this humble place.

Darkness scatter; morning swell.

Come, dear Lord Immanuel.

Come, Lord Jesus, to the manger.

Come, Lord Jesus, come!

Come, Lord Jesus, to the wounded—

Broken heart and bended knee.

Worthy Lamb, Thy love unbounded,

Bid our souls to rest in Thee.

Grant us mercy, Savior, King;

Come with healing in Thy wings.

Come, Lord Jesus, to the wounded.

Come, Lord Jesus, come!

Come, Lord Jesus, great Redeemer,

Light of Morning, Prince of Peace.

We will be Thy children ever.

Dry our tears; may weeping cease.

Come in glory; come again.

Come to us to rule and reign.

Ready us to kneel and greet Thee.

Come, Lord Jesus, come!

The post 850 Hear Hymn Come, Lord Jesus #1018 appeared first on The Cultural Hall Podcast.