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Indhold leveret af Variety & Broadway Podcast Network and Broadway Podcast Network. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af Variety & Broadway Podcast Network and Broadway Podcast Network eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.
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How a Theatermaker Makes Opera

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Manage episode 437886911 series 1708840
Indhold leveret af Variety & Broadway Podcast Network and Broadway Podcast Network. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af Variety & Broadway Podcast Network and Broadway Podcast Network eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

Jeanine Tesori, the Tony winning composer of “Kimberly Akimbo” and “Fun Home,”

talks about her upcoming Metropolitan Opera debut, “Grounded,” and what it’s like when a musical theater composer finds herself working with an 80-piece orchestra and 60-voice ensemble. Also discussed: the launch of the “Kimberly Akimbo” national tour, the revisions she and David Lindsay-Abaire made to “Shrek,” and why “Soft Power,” the musical she wrote with David Henry Hwang, is like the Renaissance Faire.

Learn more about your ad choices. Visit megaphone.fm/adchoices

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243 episoder

Artwork
iconDel
 
Manage episode 437886911 series 1708840
Indhold leveret af Variety & Broadway Podcast Network and Broadway Podcast Network. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af Variety & Broadway Podcast Network and Broadway Podcast Network eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

Jeanine Tesori, the Tony winning composer of “Kimberly Akimbo” and “Fun Home,”

talks about her upcoming Metropolitan Opera debut, “Grounded,” and what it’s like when a musical theater composer finds herself working with an 80-piece orchestra and 60-voice ensemble. Also discussed: the launch of the “Kimberly Akimbo” national tour, the revisions she and David Lindsay-Abaire made to “Shrek,” and why “Soft Power,” the musical she wrote with David Henry Hwang, is like the Renaissance Faire.

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

243 episoder

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