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Indhold leveret af Sheffield DocFest and Sheffield Doc/Fest. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af Sheffield DocFest and Sheffield Doc/Fest eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.
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How Do You Reach The Other 99%? The New Opportunities for Docs Online

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Manage episode 200038994 series 39729
Indhold leveret af Sheffield DocFest and Sheffield Doc/Fest. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af Sheffield DocFest and Sheffield Doc/Fest eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

Viewing of high quality factual TV content online has had a massive explosion in the last 18 months – with documentaries attracting millions of global viewers, but as a UK production company or an independent documentary maker, is online production really worth your time? A leading online producers and commissioners from YouTube, the BBC and National Geographic explore what makes a hit, why online production is creatively exciting, how to make money out of new content – and how to exploit the content you already have. Supported by Little Dot Studios

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Manage episode 200038994 series 39729
Indhold leveret af Sheffield DocFest and Sheffield Doc/Fest. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af Sheffield DocFest and Sheffield Doc/Fest eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

Viewing of high quality factual TV content online has had a massive explosion in the last 18 months – with documentaries attracting millions of global viewers, but as a UK production company or an independent documentary maker, is online production really worth your time? A leading online producers and commissioners from YouTube, the BBC and National Geographic explore what makes a hit, why online production is creatively exciting, how to make money out of new content – and how to exploit the content you already have. Supported by Little Dot Studios

  continue reading

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