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Judith Fetterley on A Farewell to Arms

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Manage episode 367741331 series 2801603
Indhold leveret af Mark Cirino and Michael Von Cannon, Mark Cirino, and Michael Von Cannon. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af Mark Cirino and Michael Von Cannon, Mark Cirino, and Michael Von Cannon eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

The legendary feminist critic Judith Fetterley joins us to discuss her brilliant and incendiary work on A Farewell to Arms, a piece from 1978 that has endured as one of the definitive feminist critiques of Hemingway.
Prof. Fetterley discusses protagonist Frederic Henry’s self-pity and self-absorption, Catherine’s obsequiousness, and Hemingway’s design of the novel that leads Fetterley to conclude that Catherine “dies because she is a woman.”
We go on to discuss Hemingway’s style, the theme of childbirth in Hemingway’s work, and how Fetterley’s feminist views in the 1970s apply to today’s reader. Join us for this special episode!

  continue reading

139 episoder

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Judith Fetterley on A Farewell to Arms

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Manage episode 367741331 series 2801603
Indhold leveret af Mark Cirino and Michael Von Cannon, Mark Cirino, and Michael Von Cannon. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af Mark Cirino and Michael Von Cannon, Mark Cirino, and Michael Von Cannon eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

The legendary feminist critic Judith Fetterley joins us to discuss her brilliant and incendiary work on A Farewell to Arms, a piece from 1978 that has endured as one of the definitive feminist critiques of Hemingway.
Prof. Fetterley discusses protagonist Frederic Henry’s self-pity and self-absorption, Catherine’s obsequiousness, and Hemingway’s design of the novel that leads Fetterley to conclude that Catherine “dies because she is a woman.”
We go on to discuss Hemingway’s style, the theme of childbirth in Hemingway’s work, and how Fetterley’s feminist views in the 1970s apply to today’s reader. Join us for this special episode!

  continue reading

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