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Live at Kelvin Hall by The Kinks

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Manage episode 436577515 series 2855945
Indhold leveret af Frederick French-Pounce. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af Frederick French-Pounce eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

Hello Friends! Here we are, at episode 99, and what better way to hit the end of double digits with than The Kinks curio of a live album from 1967/68 [US/UK], Live at Kelvin Hall. Notorious for its overbearing loop of screams edited into the mixdown, the album is nothing if not an exciting listen. But what of the two mixes available for this sonic experience? Well, between the Stage Front of the Mono and the Hall Rear of the stereo, they couldn't be more different, including heavy echo usage in stereo only, entirely different guitar overdubs throughout in each mix, and a generally different balance and track edits in each. All-in-all, a vastly different experience that can be hard to initially quantify. So come on now - Batman wants answers!

Happy Listening,

Frederick

Patreon

Email Instagram - @hypnoticfred
  continue reading

101 episoder

Artwork
iconDel
 
Manage episode 436577515 series 2855945
Indhold leveret af Frederick French-Pounce. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af Frederick French-Pounce eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

Hello Friends! Here we are, at episode 99, and what better way to hit the end of double digits with than The Kinks curio of a live album from 1967/68 [US/UK], Live at Kelvin Hall. Notorious for its overbearing loop of screams edited into the mixdown, the album is nothing if not an exciting listen. But what of the two mixes available for this sonic experience? Well, between the Stage Front of the Mono and the Hall Rear of the stereo, they couldn't be more different, including heavy echo usage in stereo only, entirely different guitar overdubs throughout in each mix, and a generally different balance and track edits in each. All-in-all, a vastly different experience that can be hard to initially quantify. So come on now - Batman wants answers!

Happy Listening,

Frederick

Patreon

Email Instagram - @hypnoticfred
  continue reading

101 episoder

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