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Ep. 85 - Maria Schrattenholz; Melissa Lee-Houghton; Rest & its Discontents (transcript available)

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Manage episode 163387906 series 1269047
Indhold leveret af Lunar Poetry Podcasts. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af Lunar Poetry Podcasts eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.
This episode is in three parts: Part one - David Turner is at Oslo Literaturhuset speaking to local poet Maria Dorothea Schrattenholz. The pair discuss the influence that science fiction has had over her work. Image of Maria by Carsten Aniksdal. http://www.oktober.no/Forfattere/Norske/Schrattenholz-Maria-Dorothea https://soundcloud.com/soundafrica/7-special-african-space-the-live-documentary Part two (33:04) - David Turner talks to, recent, Forward Poetry Prize nominee Melissa Lee-Houghton. The pair discuss all manner of things and there is some rude language in this section. https://melissaleehoughton.wordpress.com/ http://www.pennedinthemargins.co.uk/index.php/category/authors/melissa-lee-houghton/ https://twitter.com/mleehoughton Part three (01:15:05) - Two recordings taken from the “Rest & its Discontents” exhibition at Mile End Pavilion. First is a piece for three voices devised by James Wilkes called “and I remember a feeling of tightness on the skin…”. This work is based on transcripts of interviews about three people’s experiences of a poetry reading. The transcripts have been organised into a score that explores the ways in which speech elaborates moments of experience, bringing them into being through the work of the voice and through a kind of digestion, of chewing over, which is shared, public and provisional. The second recording (1:31:33) is Emma Bennett’s “SHIFT”. “SHIFT” is a composition drawn from a night-long navigation through a neglected iTunes account. What should be a curated collection of self-defining music is, on this battered laptop, an accidental archive of an artistic practice: stocked with fragments of performance, attempted bird imitations, recorded conversations, and cheap sound effects. “SHIFT” shuffles, impetuous and fascinated, through this database, using indecision, boredom and defiant shamelessness as compositional techniques. https://twitter.com/wilkesjames https://twitter.com/emmbenn http://hubbubresearch.org/ http://www.whitechapelgallery.org/first-thursdays/galleries/art-pavilion/ A transcript of this episode is available to download here: https://lunarpoetrypodcasts.files.wordpress.com/2017/05/ep-85-maria-schrattenholz-melissa-lee-houghton-lpp-transcript.pdf
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132 episoder

Artwork
iconDel
 
Manage episode 163387906 series 1269047
Indhold leveret af Lunar Poetry Podcasts. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af Lunar Poetry Podcasts eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.
This episode is in three parts: Part one - David Turner is at Oslo Literaturhuset speaking to local poet Maria Dorothea Schrattenholz. The pair discuss the influence that science fiction has had over her work. Image of Maria by Carsten Aniksdal. http://www.oktober.no/Forfattere/Norske/Schrattenholz-Maria-Dorothea https://soundcloud.com/soundafrica/7-special-african-space-the-live-documentary Part two (33:04) - David Turner talks to, recent, Forward Poetry Prize nominee Melissa Lee-Houghton. The pair discuss all manner of things and there is some rude language in this section. https://melissaleehoughton.wordpress.com/ http://www.pennedinthemargins.co.uk/index.php/category/authors/melissa-lee-houghton/ https://twitter.com/mleehoughton Part three (01:15:05) - Two recordings taken from the “Rest & its Discontents” exhibition at Mile End Pavilion. First is a piece for three voices devised by James Wilkes called “and I remember a feeling of tightness on the skin…”. This work is based on transcripts of interviews about three people’s experiences of a poetry reading. The transcripts have been organised into a score that explores the ways in which speech elaborates moments of experience, bringing them into being through the work of the voice and through a kind of digestion, of chewing over, which is shared, public and provisional. The second recording (1:31:33) is Emma Bennett’s “SHIFT”. “SHIFT” is a composition drawn from a night-long navigation through a neglected iTunes account. What should be a curated collection of self-defining music is, on this battered laptop, an accidental archive of an artistic practice: stocked with fragments of performance, attempted bird imitations, recorded conversations, and cheap sound effects. “SHIFT” shuffles, impetuous and fascinated, through this database, using indecision, boredom and defiant shamelessness as compositional techniques. https://twitter.com/wilkesjames https://twitter.com/emmbenn http://hubbubresearch.org/ http://www.whitechapelgallery.org/first-thursdays/galleries/art-pavilion/ A transcript of this episode is available to download here: https://lunarpoetrypodcasts.files.wordpress.com/2017/05/ep-85-maria-schrattenholz-melissa-lee-houghton-lpp-transcript.pdf
  continue reading

132 episoder

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