Artwork

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“What Sort of Problems Does an Artwork Pose?”: Joan Kee on Art History as an Infinite Game

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Manage episode 304390304 series 2927700
Indhold leveret af Caro Fowler. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af Caro Fowler eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

In this episode, Caro Fowler (Starr Director of the Research and Academic Program at the Clark Art Institute) speaks with Joan Kee, professor of art history at the University of Michigan in Ann Arbor. Joan describes the influence of growing up in Seoul, Korea, but shares her uneasiness with centering a sense of self within art historical writing. She reflects on modes of description and their political resonances, and muses about the specific strengths and limitations of art history, particularly when it comes to categories like “global contemporary” or an assumption of a unified “we” within the discipline. Finally, she shares current projects, including one on Black and Asian artistic intersections from the early 1960s to the present.

  continue reading

58 episoder

Artwork
iconDel
 
Manage episode 304390304 series 2927700
Indhold leveret af Caro Fowler. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af Caro Fowler eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

In this episode, Caro Fowler (Starr Director of the Research and Academic Program at the Clark Art Institute) speaks with Joan Kee, professor of art history at the University of Michigan in Ann Arbor. Joan describes the influence of growing up in Seoul, Korea, but shares her uneasiness with centering a sense of self within art historical writing. She reflects on modes of description and their political resonances, and muses about the specific strengths and limitations of art history, particularly when it comes to categories like “global contemporary” or an assumption of a unified “we” within the discipline. Finally, she shares current projects, including one on Black and Asian artistic intersections from the early 1960s to the present.

  continue reading

58 episoder

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