Artwork

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“Grounded by a Set of Relations”: Nancy Um on "Horizontal" Cultures within Art History

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Manage episode 308352913 series 2927700
Indhold leveret af Caro Fowler. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af Caro Fowler eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

In this episode Caro Fowler (Starr Director of the Research and Academic Program at the Clark Art Institute) speaks with Nancy Um, professor of art history at Binghamton University in New York State, whose research explores the Islamic world from the perspective of the coast, with a focus on material, visual, and built culture on the Arabian Peninsula and around the rims of the Red Sea and Indian Ocean. Nancy describes her experience of conducting fieldwork in Yemen, particularly as a young female scholar, and reflects on the constraints of focusing on an area marked by geopolitical instability. She recounts her decision to focus on bodies of water instead of territories, and how this approach destabilizes some of the traditional organizing principles of the discipline, but allows her to pursue global art history on a local scale. Finally, she considers digital art history as a site of access, and as part of a dynamic approach to her own work changing over time.

  continue reading

58 episoder

Artwork
iconDel
 
Manage episode 308352913 series 2927700
Indhold leveret af Caro Fowler. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af Caro Fowler eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

In this episode Caro Fowler (Starr Director of the Research and Academic Program at the Clark Art Institute) speaks with Nancy Um, professor of art history at Binghamton University in New York State, whose research explores the Islamic world from the perspective of the coast, with a focus on material, visual, and built culture on the Arabian Peninsula and around the rims of the Red Sea and Indian Ocean. Nancy describes her experience of conducting fieldwork in Yemen, particularly as a young female scholar, and reflects on the constraints of focusing on an area marked by geopolitical instability. She recounts her decision to focus on bodies of water instead of territories, and how this approach destabilizes some of the traditional organizing principles of the discipline, but allows her to pursue global art history on a local scale. Finally, she considers digital art history as a site of access, and as part of a dynamic approach to her own work changing over time.

  continue reading

58 episoder

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