Cinema And Everyday Resistance | No Master Territories HKW podcast

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Society HKW Haus Der Kulturen Der Welt

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Cinema and Everyday Resistance | No Master Territories

2y ago 1:02:19

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Indhold leveret af HKW and Haus der Kulturen der Welt. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af HKW and Haus der Kulturen der Welt eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

What forms of resistance can cinema offer? What relations exist between documentary film and activism? How does feminist film deal with sexually explicit images? These questions and more are addressed in a podcast series accompanying the exhibition “No Master Territories: Feminist Worldmaking and the Moving Image,” curated by Erika Balsom and Hila Peleg. In her 1982 film “Reassemblage,” Trinh T. Minh-ha influentially reformulated the terms of the ethnographic encounter: she would not “speak about,” but “speak nearby.” In this conversation with artist-filmmaker Laura Huertas Millán, the two discuss this concept and others pertaining to both their practices. More about the exhibition: www.hkw.de/en/NoMaster Sound excerpts from Trinh T. Minh-ha, What About China? (2022), copyright Moongift Films

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56 episoder

#Society #HKW #Haus Der Kulturen Der Welt

Artwork

Cinema and Everyday Resistance | No Master Territories

14 subscribers

published 2y ago

Del

MP3•Episode hjem

Indhold leveret af HKW and Haus der Kulturen der Welt. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af HKW and Haus der Kulturen der Welt eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

What forms of resistance can cinema offer? What relations exist between documentary film and activism? How does feminist film deal with sexually explicit images? These questions and more are addressed in a podcast series accompanying the exhibition “No Master Territories: Feminist Worldmaking and the Moving Image,” curated by Erika Balsom and Hila Peleg. In her 1982 film “Reassemblage,” Trinh T. Minh-ha influentially reformulated the terms of the ethnographic encounter: she would not “speak about,” but “speak nearby.” In this conversation with artist-filmmaker Laura Huertas Millán, the two discuss this concept and others pertaining to both their practices. More about the exhibition: www.hkw.de/en/NoMaster Sound excerpts from Trinh T. Minh-ha, What About China? (2022), copyright Moongift Films

… continue reading

56 episoder

#Society #HKW #Haus Der Kulturen Der Welt

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