The iFanboy.com Comic Book Podcast is a weekly talk show all about the best new current comic book releases. Lifelong friends, Conor Kilpatrick and Josh Flanagan talk about what they loved and (sometimes) hated in the current weekly books, from publishers like Marvel, DC, Image Comics, Dark Horse Comics, BOOM! Studios, IDW, Aftershock, Valiant, and more. The aim is to have a fun time, some laughs, but to also really understand what makes comic books work and what doesn’t, and trying to under ...
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Mary Zimmerman on Adapting Ovid and Directing Shakespeare
MP3•Episode hjem
Manage episode 417004949 series 128626
Indhold leveret af Folger Shakespeare Library. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af Folger Shakespeare Library eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.
When Mary Zimmerman's adaptation of Ovid's Metamorphoses was on Broadway in 2002, it won a host of awards, including the Drama Desk, Drama League, and Lucille Lortel awards for best play. Zimmerman took home the Tony award for best director. This spring, director Psalmayene 24 and an all-Black cast stage a new production of the play interpreted through the lens of the African diaspora. Zimmerman joins us on the podcast to talk about the process of adapting Metamorphoses and The Odyssey, directing Shakespeare, and more. She is interviewed by Barbara Bogaev. Beyond Metamorphoses, Zimmerman has adapted other ancient texts for the stage, like The Odyssey, Jason and the Argonauts, and Journey to the West. She has directed many of Shakespeare’s plays, as well as operas at the Metropolitan Opera. She co-wrote the libretto for the Phillip Glass opera Galileo Galilei. The Matchbox Magic Flute, her new adaptation of Mozart, plays at DC's Shakespeare Theater Company this month, in association with the Goodman Theatre. From the Shakespeare Unlimited podcast. Published May 7, 2024. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica, with help from Kendra Hanna. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leonor Fernandez edits our transcripts. We had technical help from from Northwestern University and Voice Trax West in Studio City, California. Final mixing services provided by Clean Cuts at Three Seas, Inc.
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269 episoder
MP3•Episode hjem
Manage episode 417004949 series 128626
Indhold leveret af Folger Shakespeare Library. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af Folger Shakespeare Library eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.
When Mary Zimmerman's adaptation of Ovid's Metamorphoses was on Broadway in 2002, it won a host of awards, including the Drama Desk, Drama League, and Lucille Lortel awards for best play. Zimmerman took home the Tony award for best director. This spring, director Psalmayene 24 and an all-Black cast stage a new production of the play interpreted through the lens of the African diaspora. Zimmerman joins us on the podcast to talk about the process of adapting Metamorphoses and The Odyssey, directing Shakespeare, and more. She is interviewed by Barbara Bogaev. Beyond Metamorphoses, Zimmerman has adapted other ancient texts for the stage, like The Odyssey, Jason and the Argonauts, and Journey to the West. She has directed many of Shakespeare’s plays, as well as operas at the Metropolitan Opera. She co-wrote the libretto for the Phillip Glass opera Galileo Galilei. The Matchbox Magic Flute, her new adaptation of Mozart, plays at DC's Shakespeare Theater Company this month, in association with the Goodman Theatre. From the Shakespeare Unlimited podcast. Published May 7, 2024. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica, with help from Kendra Hanna. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leonor Fernandez edits our transcripts. We had technical help from from Northwestern University and Voice Trax West in Studio City, California. Final mixing services provided by Clean Cuts at Three Seas, Inc.
…
continue reading
269 episoder
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