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Indhold leveret af Edward Seckerson. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af Edward Seckerson eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.
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A Conversation With VASILY PETRENKO: Shostakovich Symphony No.13 “Babi Yar”

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Manage episode 151906644 series 1042346
Indhold leveret af Edward Seckerson. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af Edward Seckerson eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

099ac7ce-8c0d-4276-a3db-5c6488f5b947With the final release in Vasily Petrenko’s much-lauded Shostakovich cycle on Naxos the young maestro talks to Edward Seckerson about a masterpiece the Soviet authorities tried but failed to sabotage at its first performances. YevgenyYevtushenko’s poem “Babi Yar” with its accusations of anti-Semitism was the flashpoint but social protest runs deep in the piece and nothing in the composer’s output hits home quite as hard or as movingly. It is, in effect, his testimony.

  continue reading

25 episoder

Artwork
iconDel
 
Manage episode 151906644 series 1042346
Indhold leveret af Edward Seckerson. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af Edward Seckerson eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

099ac7ce-8c0d-4276-a3db-5c6488f5b947With the final release in Vasily Petrenko’s much-lauded Shostakovich cycle on Naxos the young maestro talks to Edward Seckerson about a masterpiece the Soviet authorities tried but failed to sabotage at its first performances. YevgenyYevtushenko’s poem “Babi Yar” with its accusations of anti-Semitism was the flashpoint but social protest runs deep in the piece and nothing in the composer’s output hits home quite as hard or as movingly. It is, in effect, his testimony.

  continue reading

25 episoder

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