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podcast 41-Maximilian Marcoll

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Manage episode 195964554 series 1942586
Indhold leveret af Daniel Vezza. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af Daniel Vezza eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

Maximilian is a composer from Germany who is currently based in Berlin. He studied percussion, instrumental and electronic composition in Lübeck and Essen, Germany. In his series Compounds he focusses on the transcription of concrete sounds, mostly recorded in everyday life situations. He is also part of the new music collective Stock 11. You can listen to more of his work at www.marcoll.de.

In our conversation we talk about the inherent hierarchy when working with large ensembles, his unique way of working and gather field recordings, and an interesting experience he had while creating a politically charged sound installation. The piece played during this interview is titled “Compound No.4?.

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67 episoder

Artwork
iconDel
 
Manage episode 195964554 series 1942586
Indhold leveret af Daniel Vezza. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af Daniel Vezza eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

Maximilian is a composer from Germany who is currently based in Berlin. He studied percussion, instrumental and electronic composition in Lübeck and Essen, Germany. In his series Compounds he focusses on the transcription of concrete sounds, mostly recorded in everyday life situations. He is also part of the new music collective Stock 11. You can listen to more of his work at www.marcoll.de.

In our conversation we talk about the inherent hierarchy when working with large ensembles, his unique way of working and gather field recordings, and an interesting experience he had while creating a politically charged sound installation. The piece played during this interview is titled “Compound No.4?.

  continue reading

67 episoder

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