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Episode 84: Hear the Dance: Kammermusik No. 2

33:33
 
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Manage episode 360288698 series 2861103
Indhold leveret af New York City Ballet. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af New York City Ballet eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

Host Jared Angle returns for this season’s first Hear the Dance episode, focusing on 1978’s Kammermusik No. 2. Jared is joined by Soloist Daniel Applebaum and Corps de Ballet Member Lars Nelson to discuss the only Balanchine work with an all-male corps and the communal feeling they share when performing this challenging ballet. They describe the ways in which certain hieroglyphic moments give them the sense of being a vessel for a larger, “inhuman" architecture in what originating dancers referred to as Mr. B’s "Star Wars” ballet, premiering a year after the sci-fi classic. (33:32)

Edited by Emilie Silvestri

Music: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky Kammermusik No. 2 (1924) by Paul Hindemith All music performed by the New York City Ballet Orchestra

  continue reading

101 episoder

Artwork
iconDel
 
Manage episode 360288698 series 2861103
Indhold leveret af New York City Ballet. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af New York City Ballet eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

Host Jared Angle returns for this season’s first Hear the Dance episode, focusing on 1978’s Kammermusik No. 2. Jared is joined by Soloist Daniel Applebaum and Corps de Ballet Member Lars Nelson to discuss the only Balanchine work with an all-male corps and the communal feeling they share when performing this challenging ballet. They describe the ways in which certain hieroglyphic moments give them the sense of being a vessel for a larger, “inhuman" architecture in what originating dancers referred to as Mr. B’s "Star Wars” ballet, premiering a year after the sci-fi classic. (33:32)

Edited by Emilie Silvestri

Music: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky Kammermusik No. 2 (1924) by Paul Hindemith All music performed by the New York City Ballet Orchestra

  continue reading

101 episoder

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