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Episode 101: The Rosin Box: Conducting Ballet

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Manage episode 383542215 series 2861103
Indhold leveret af New York City Ballet. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af New York City Ballet eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

Join us for another round of cozy conversations at The Rosin Box, beginning with Associate Music Director Andrews Sill. Hosts Claire Kretzschmar and Soloist Aarón Sanz chat with Sill about how he came to this role with NYCB, why he prefers conducting for the ballet over symphonic performances, and which Balanchine work made him fall in love with the art form. With preparations for the return of George Balanchine's The Nutcracker® under way, Sill shares how he keeps familiar music fresh—and that despite 14 years wielding the baton for the Company, he's still moved by many productions. (50:57)

Edited by Emilie Silvestri

Music: "Je ne t’aime plus" by Pink Martini Courtesy of Pink Martini & Heinz Records

  continue reading

101 episoder

Artwork
iconDel
 
Manage episode 383542215 series 2861103
Indhold leveret af New York City Ballet. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af New York City Ballet eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

Join us for another round of cozy conversations at The Rosin Box, beginning with Associate Music Director Andrews Sill. Hosts Claire Kretzschmar and Soloist Aarón Sanz chat with Sill about how he came to this role with NYCB, why he prefers conducting for the ballet over symphonic performances, and which Balanchine work made him fall in love with the art form. With preparations for the return of George Balanchine's The Nutcracker® under way, Sill shares how he keeps familiar music fresh—and that despite 14 years wielding the baton for the Company, he's still moved by many productions. (50:57)

Edited by Emilie Silvestri

Music: "Je ne t’aime plus" by Pink Martini Courtesy of Pink Martini & Heinz Records

  continue reading

101 episoder

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