Artwork

Indhold leveret af Center for Mind, Brain, and Culture, Emory College, Emory Center for Mind, and Culture (CMBC). Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af Center for Mind, Brain, and Culture, Emory College, Emory Center for Mind, and Culture (CMBC) eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.
Player FM - Podcast-app
Gå offline med appen Player FM !

Lunch | Ivana Ilic + Jasna Veličković "How Do We Know It's Music? On Musical Capacities of the Electromagnetic Field"

1:14:55
 
Del
 

Manage episode 410824156 series 2538953
Indhold leveret af Center for Mind, Brain, and Culture, Emory College, Emory Center for Mind, and Culture (CMBC). Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af Center for Mind, Brain, and Culture, Emory College, Emory Center for Mind, and Culture (CMBC) eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

Ivana Ilic | Music Theory, Emory University
Jasna Veličković | Composer and Performer

"How Do We Know It's Music? On Musical Capacities of the Electromagnetic Field"

What happens when the electromagnetic signal is not only deliberately made audible, but also exploited with a specifically musical aim? In this presentation, I investigate the distinctively musical use of electromagnetism in art from the 1960s until the present day. The two case studies include the works by Christina Kubisch (b. 1948) and Jasna Veličković (b. 1974). While the two artists share a commitment to a modernist quest for new sounds, they investigate the musical capacities of the electromagnetic field in distinctive ways. Kubisch operates primarily as a sound artist, within the audio-visual realm. Her installations include induction coils whose sounds are picked up by the visitors through specially designed headphones. The “musicality” of those works arises from the visitors’ movement within the exhibition space and appears as a completely individual and internalized event. As a composer, she also “finds” music in the sounding of electromagnetic fields that she explores in various places throughout the world. Veličković works from a predominantly auditory perspective. Her unambiguously musical creative process assumes both the compositional application of interference and its inclusion in a purposefully musical performance. The two artists’ approaches meet in an embodied reality of an intense and unique musical experience.

If you would like to become an AFFILIATE of the Center, please let us know.

Follow along with us on Instagram | Threads | Facebook

  continue reading

293 episoder

Artwork
iconDel
 
Manage episode 410824156 series 2538953
Indhold leveret af Center for Mind, Brain, and Culture, Emory College, Emory Center for Mind, and Culture (CMBC). Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af Center for Mind, Brain, and Culture, Emory College, Emory Center for Mind, and Culture (CMBC) eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

Ivana Ilic | Music Theory, Emory University
Jasna Veličković | Composer and Performer

"How Do We Know It's Music? On Musical Capacities of the Electromagnetic Field"

What happens when the electromagnetic signal is not only deliberately made audible, but also exploited with a specifically musical aim? In this presentation, I investigate the distinctively musical use of electromagnetism in art from the 1960s until the present day. The two case studies include the works by Christina Kubisch (b. 1948) and Jasna Veličković (b. 1974). While the two artists share a commitment to a modernist quest for new sounds, they investigate the musical capacities of the electromagnetic field in distinctive ways. Kubisch operates primarily as a sound artist, within the audio-visual realm. Her installations include induction coils whose sounds are picked up by the visitors through specially designed headphones. The “musicality” of those works arises from the visitors’ movement within the exhibition space and appears as a completely individual and internalized event. As a composer, she also “finds” music in the sounding of electromagnetic fields that she explores in various places throughout the world. Veličković works from a predominantly auditory perspective. Her unambiguously musical creative process assumes both the compositional application of interference and its inclusion in a purposefully musical performance. The two artists’ approaches meet in an embodied reality of an intense and unique musical experience.

If you would like to become an AFFILIATE of the Center, please let us know.

Follow along with us on Instagram | Threads | Facebook

  continue reading

293 episoder

Semua episode

×
 
Loading …

Velkommen til Player FM!

Player FM is scanning the web for high-quality podcasts for you to enjoy right now. It's the best podcast app and works on Android, iPhone, and the web. Signup to sync subscriptions across devices.

 

Hurtig referencevejledning