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S02E04 | Staging William Wells Brown’s The Escape; or a Leap for Freedom: An Interview with Mark H.

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Manage episode 226070988 series 1550370
Indhold leveret af C19 Podcast and Society of Nineteenth-Century Americanists. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af C19 Podcast and Society of Nineteenth-Century Americanists eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.
In February 2018, Mark H., then a Columbia MFA Directing Candidate, presented his production of William Wells Brown’s 1858 play, The Escape; or a Leap for Freedom to a full house at the Lenfest Center for the Arts in Harlem. In this episode of the podcast Brigitte Fielder and Jonathan Senchyne (University of Wisconsin-Madison) talk to Mark H. about being only the second director to stage this 150-year old play. Their conversation includes discussion of attitudes toward melodrama and, significantly, of some of the decisions involved when presenting nineteenth-century depictions of anti-black violence to a contemporary audience. Post-production help from Melissa Gniadek.
  continue reading

51 episoder

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Manage episode 226070988 series 1550370
Indhold leveret af C19 Podcast and Society of Nineteenth-Century Americanists. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af C19 Podcast and Society of Nineteenth-Century Americanists eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.
In February 2018, Mark H., then a Columbia MFA Directing Candidate, presented his production of William Wells Brown’s 1858 play, The Escape; or a Leap for Freedom to a full house at the Lenfest Center for the Arts in Harlem. In this episode of the podcast Brigitte Fielder and Jonathan Senchyne (University of Wisconsin-Madison) talk to Mark H. about being only the second director to stage this 150-year old play. Their conversation includes discussion of attitudes toward melodrama and, significantly, of some of the decisions involved when presenting nineteenth-century depictions of anti-black violence to a contemporary audience. Post-production help from Melissa Gniadek.
  continue reading

51 episoder

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