7. Eugène Fontenay For Fontana Et Cie, “Necklace,” About 1865 Bijoux Parisiens podcast

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Bijoux Parisiens Arts Taft Museum Of Art

Indhold leveret af Bijoux Parisiens and Taft Museum of Art. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af Bijoux Parisiens and Taft Museum of Art eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

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7. Eugène Fontenay for Fontana et Cie, “Necklace,” about 1865

7+ y ago 2:02

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Indhold leveret af Bijoux Parisiens and Taft Museum of Art. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af Bijoux Parisiens and Taft Museum of Art eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

This necklace shows fine workmanship in the techniques of filigree (intricate patterns made from thin strands of metal) and hand-embossing (hammering out a design in relief). At the 1867 Universal Exposition in Paris, Eugène Fontenay won praise for Neo-Greek jewelry like this. In admiring and emulating the remarkable skill of ancient goldsmiths, Fontenay helped initiate the 19th-century archeological style.

… continue reading

21 episoder

#Bijoux Parisiens #Arts #Taft Museum Of Art

Artwork

7. Eugène Fontenay for Fontana et Cie, “Necklace,” about 1865

Bijoux Parisiens

published 7+ y ago

Del

MP3•Episode hjem

Indhold leveret af Bijoux Parisiens and Taft Museum of Art. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af Bijoux Parisiens and Taft Museum of Art eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

This necklace shows fine workmanship in the techniques of filigree (intricate patterns made from thin strands of metal) and hand-embossing (hammering out a design in relief). At the 1867 Universal Exposition in Paris, Eugène Fontenay won praise for Neo-Greek jewelry like this. In admiring and emulating the remarkable skill of ancient goldsmiths, Fontenay helped initiate the 19th-century archeological style.

… continue reading

21 episoder

#Bijoux Parisiens #Arts #Taft Museum Of Art

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