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Ep. 45: A Pious Pair

36:10
 
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Manage episode 313182060 series 3261168
Indhold leveret af The Columbia Witness. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af The Columbia Witness eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

Arma virumque cano - thus begins the greatest work of Latin literature, Vergil's Aeneid. The story follows a survivor of Troy, Aeneas, as he escapes the city at its fall and travels the Mediterranean to fulfill his destiny: to lay the foundations of what would become Rome. The epic poem plays on Homeric plots and themes, but also comes across as distinctly Roman. This week, Ardaschir and Timothy demonstrate their piety to the podcast (Aeneas would approve) as they discuss some of their questions and insights on the text. (Note: Here is a copy of the text translated by John Dryden, and here is a more contemporary translation by Robert Fagles.)

Intro/Outro music by Cooper Cannell

  continue reading

92 episoder

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Manage episode 313182060 series 3261168
Indhold leveret af The Columbia Witness. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af The Columbia Witness eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

Arma virumque cano - thus begins the greatest work of Latin literature, Vergil's Aeneid. The story follows a survivor of Troy, Aeneas, as he escapes the city at its fall and travels the Mediterranean to fulfill his destiny: to lay the foundations of what would become Rome. The epic poem plays on Homeric plots and themes, but also comes across as distinctly Roman. This week, Ardaschir and Timothy demonstrate their piety to the podcast (Aeneas would approve) as they discuss some of their questions and insights on the text. (Note: Here is a copy of the text translated by John Dryden, and here is a more contemporary translation by Robert Fagles.)

Intro/Outro music by Cooper Cannell

  continue reading

92 episoder

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