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ASC #40: Garbage Matte for Secondary Color Correction

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Manage episode 153745930 series 1100102
Indhold leveret af Christian Foerster. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af Christian Foerster eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

So you want to change the skin tones in a shot by doing a secondary color correction. You're using the methods outlined in ASC #16 (and of course, they work incredibly well!), but there's that nasty balloon in the shot that has a skin-tone-like color but that you don't want to affect.

What you need now, my friend, is a garbage matte. A garbage matte restricts the key to applying only to a specific section of the image. I hear you say: "But can it be done in Media Composer?" I say: "You bet your ass it can be done! And in real-time, too!"

So in this show, we'll build a secondary color correction with a garbage matte using the Spectramatte, a Paint Effect and a Matte Key.

If this isn't cool, then I don't know cool. Oh. Wait.

SHOW NOTES

Thanks to Alexander Fell who gave me the tip on this one:
http://www.xing.com/profile/Alexander_Fell

Do check out the older tutorial on Secondaries, it uses a Boris Continuum Complete Effect and is generally more friendly towards the not-die-hard-geek:

ASC #16: Secondary Color Correction in Media Composer
http://avidscreencast.com/asc16

Check out the blog entry for this week's episode:
http://avidscreencast.com/asc40

Follow me on Twitter:
http://twitter.com/avidscreencast

Become a fan on the Avid Screencast on Facebook:
http://facebook.com/avidscreencast

  continue reading

54 episoder

Artwork
iconDel
 
Manage episode 153745930 series 1100102
Indhold leveret af Christian Foerster. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af Christian Foerster eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

So you want to change the skin tones in a shot by doing a secondary color correction. You're using the methods outlined in ASC #16 (and of course, they work incredibly well!), but there's that nasty balloon in the shot that has a skin-tone-like color but that you don't want to affect.

What you need now, my friend, is a garbage matte. A garbage matte restricts the key to applying only to a specific section of the image. I hear you say: "But can it be done in Media Composer?" I say: "You bet your ass it can be done! And in real-time, too!"

So in this show, we'll build a secondary color correction with a garbage matte using the Spectramatte, a Paint Effect and a Matte Key.

If this isn't cool, then I don't know cool. Oh. Wait.

SHOW NOTES

Thanks to Alexander Fell who gave me the tip on this one:
http://www.xing.com/profile/Alexander_Fell

Do check out the older tutorial on Secondaries, it uses a Boris Continuum Complete Effect and is generally more friendly towards the not-die-hard-geek:

ASC #16: Secondary Color Correction in Media Composer
http://avidscreencast.com/asc16

Check out the blog entry for this week's episode:
http://avidscreencast.com/asc40

Follow me on Twitter:
http://twitter.com/avidscreencast

Become a fan on the Avid Screencast on Facebook:
http://facebook.com/avidscreencast

  continue reading

54 episoder

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