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A Damn Fine Espresso: July 2022

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Manage episode 334562304 series 3042954
Indhold leveret af A Damn Fine Cup of Culture. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af A Damn Fine Cup of Culture eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

A Damn Fine Cup of Culture has talked about musicals before – but this month’s espresso is a special treat: Alan has seen the production of Cabaret that is currently being shown at the Playhouse Theatre in London. He and Julie talk about the production and how it compares to Christopher Isherwood’s original stories that Cabaret is based on, as well as the 1972 film by Bob Fosse, featuring Liza Minelli in her iconic turn as Sally Bowles. How do the various production choices change the characters and the overall depiction of Berlin during the Weimar Republic? And, obviously, what are Alan’s thoughts on the stage production: is this time jump to 1929 Berlin worth taking if you happen to find yourself in London?

You can also download the podcast at the following link:

A Damn Fine Espresso: July 2022

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98 episoder

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Manage episode 334562304 series 3042954
Indhold leveret af A Damn Fine Cup of Culture. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af A Damn Fine Cup of Culture eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

A Damn Fine Cup of Culture has talked about musicals before – but this month’s espresso is a special treat: Alan has seen the production of Cabaret that is currently being shown at the Playhouse Theatre in London. He and Julie talk about the production and how it compares to Christopher Isherwood’s original stories that Cabaret is based on, as well as the 1972 film by Bob Fosse, featuring Liza Minelli in her iconic turn as Sally Bowles. How do the various production choices change the characters and the overall depiction of Berlin during the Weimar Republic? And, obviously, what are Alan’s thoughts on the stage production: is this time jump to 1929 Berlin worth taking if you happen to find yourself in London?

You can also download the podcast at the following link:

A Damn Fine Espresso: July 2022

  continue reading

98 episoder

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