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Episode 221: Julie Phillips

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Indhold leveret af Scott Edelman. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af Scott Edelman eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

Join biographer Julie Phillips for Jӓgerschnitzel as we discuss why she called The Baby on the Fire Escape "a weird hybrid monster of a book," the one thing she regrets not researching more thoroughly for her Tiptree bio, the reason there's more space for the reader in a biography than a memoir, why some children of artistic mothers can make peace with their relationships and others can't, the three things she felt it important to squeeze into the seven minutes she was given to speak at Ursula K. Le Guin's memorial service, her writing method of starting in the middle of a book and working out toward both ends, the occasional difficulty of withholding judgement on one's biographical subjects, the relationship between biographer Robert Caro and editor Robert Gottlieb, plus much more.

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239 episoder

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Episode 221: Julie Phillips

Eating the Fantastic

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Manage episode 408302343 series 129147
Indhold leveret af Scott Edelman. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af Scott Edelman eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

Join biographer Julie Phillips for Jӓgerschnitzel as we discuss why she called The Baby on the Fire Escape "a weird hybrid monster of a book," the one thing she regrets not researching more thoroughly for her Tiptree bio, the reason there's more space for the reader in a biography than a memoir, why some children of artistic mothers can make peace with their relationships and others can't, the three things she felt it important to squeeze into the seven minutes she was given to speak at Ursula K. Le Guin's memorial service, her writing method of starting in the middle of a book and working out toward both ends, the occasional difficulty of withholding judgement on one's biographical subjects, the relationship between biographer Robert Caro and editor Robert Gottlieb, plus much more.

  continue reading

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