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TN:114 James Ellis Ford

1:20:02
 
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Manage episode 398859403 series 1463307
Indhold leveret af In The Woods. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af In The Woods eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

Thanks to Highnote for supporting this episode of Tape Notes.

Highnote is the best way to share, store, and discuss your recording projects, a kind of bespoke Dropbox for audio specifically built for communication. Think time-stamped voice comments directly over your audio, nesting versions to toggle and compare in real time, and instant notifications when people comment or listen to a track you’ve shared. Highnote accounts are completely free and include 4 gigabytes of storage to get your started, plus there's a special offer for Tape Notes listeners of 3 months of their 200GB plan for free.

Head to highnote.fm/tapenotes to find out more.

-------

In this episode, John ventures over to Clapton to join James Ellis Ford and talk about how he wrote, recorded, and produced the album ‘The Hum’.

His debut solo release after almost two decades working with some of the world's biggest artists, James looks back on how his approach to music has changed over the course of the album, reflecting on the different mindsets and decisions that come with producing his own work compared to that of others.

As well as a deep dive into his vast studio setup and hybrid system of new and old creative techniques, we’re treated to thoughts on the fine line of ironing out the humanness of mistakes, and how more often than not, pieces of gear can give you back ideas that you’d never have expected.

Listen to find out which undiscovered mics are used across almost all of the records he works on, how to implement a Frippertronics-style tape setup, and what you can create when you push a bass clarinet to its limits.

Tracks discussed: I Never Wanted Anything, Squeaky Wheel, The Yips

LINKS TO EVERYTHING TAPE NOTES

linktr.ee/tapenotes

Listen to ‘The Hum’ here.

  • Warp Records

Intro Music - Sunshine Buddy, Laurel Collective

GEAR MENTIONS

FabFilter Pro Q

Soundtoys PrimalTap

Soundtoys DevilLoc

UAD Fairchild Plugins

UAD 1176

UAD LA2A

K-Devices Plugins

ARP 2600

Cirklon Sequencer

Roland TR-808

Korg Maxi-Korg Synth

Hohner Clavinet

Philicorda

Beezneez Microphones

Melodium Ribbon Mic

Shure SM7B

Gibson ES-125 Guitar

Burns Bass

Ebow

Mutron Auto Wah

Mutron Phasor

Eventide H3000 Chorus

Space Station Reverb

Grampian Spring Reverb

MicMix Master Room Reverb MR-II

Selmer 60s Fuzz

Altec Preamp

Tascam 4TRK

J37 Tape Machine

Nagra Tape Machine

Studer Desk

OUR GEAR

https://linktr.ee/tapenotes_ourgear

HELP SUPPORT THE SHOW

If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)

Donate

KEEP UP TO DATE

For behind the scenes photos and the latest updates, make sure to follow us on:

Instagram: @tapenotes

Twitter: @tapenotes

Facebook: @tapenotespodcast

YouTube: Tape Notes Podcast

Discord: Tape Notes

To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!

Visit our website to join our mailing list: www.tapenotes.co.uk

HELP SUPPORT THE SHOW

If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)

Donate

TAPE NOTES TEAM

Will Brown - Executive Producer, Engineer & Editor

Tim Adam-Smith - Executive Producer

Will Lyons - Editor

Videographer - Andy Tindall

Guy Nicholls - Production Assistant

  continue reading

159 episoder

Artwork

TN:114 James Ellis Ford

Tape Notes

119 subscribers

published

iconDel
 
Manage episode 398859403 series 1463307
Indhold leveret af In The Woods. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af In The Woods eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

Thanks to Highnote for supporting this episode of Tape Notes.

Highnote is the best way to share, store, and discuss your recording projects, a kind of bespoke Dropbox for audio specifically built for communication. Think time-stamped voice comments directly over your audio, nesting versions to toggle and compare in real time, and instant notifications when people comment or listen to a track you’ve shared. Highnote accounts are completely free and include 4 gigabytes of storage to get your started, plus there's a special offer for Tape Notes listeners of 3 months of their 200GB plan for free.

Head to highnote.fm/tapenotes to find out more.

-------

In this episode, John ventures over to Clapton to join James Ellis Ford and talk about how he wrote, recorded, and produced the album ‘The Hum’.

His debut solo release after almost two decades working with some of the world's biggest artists, James looks back on how his approach to music has changed over the course of the album, reflecting on the different mindsets and decisions that come with producing his own work compared to that of others.

As well as a deep dive into his vast studio setup and hybrid system of new and old creative techniques, we’re treated to thoughts on the fine line of ironing out the humanness of mistakes, and how more often than not, pieces of gear can give you back ideas that you’d never have expected.

Listen to find out which undiscovered mics are used across almost all of the records he works on, how to implement a Frippertronics-style tape setup, and what you can create when you push a bass clarinet to its limits.

Tracks discussed: I Never Wanted Anything, Squeaky Wheel, The Yips

LINKS TO EVERYTHING TAPE NOTES

linktr.ee/tapenotes

Listen to ‘The Hum’ here.

  • Warp Records

Intro Music - Sunshine Buddy, Laurel Collective

GEAR MENTIONS

FabFilter Pro Q

Soundtoys PrimalTap

Soundtoys DevilLoc

UAD Fairchild Plugins

UAD 1176

UAD LA2A

K-Devices Plugins

ARP 2600

Cirklon Sequencer

Roland TR-808

Korg Maxi-Korg Synth

Hohner Clavinet

Philicorda

Beezneez Microphones

Melodium Ribbon Mic

Shure SM7B

Gibson ES-125 Guitar

Burns Bass

Ebow

Mutron Auto Wah

Mutron Phasor

Eventide H3000 Chorus

Space Station Reverb

Grampian Spring Reverb

MicMix Master Room Reverb MR-II

Selmer 60s Fuzz

Altec Preamp

Tascam 4TRK

J37 Tape Machine

Nagra Tape Machine

Studer Desk

OUR GEAR

https://linktr.ee/tapenotes_ourgear

HELP SUPPORT THE SHOW

If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)

Donate

KEEP UP TO DATE

For behind the scenes photos and the latest updates, make sure to follow us on:

Instagram: @tapenotes

Twitter: @tapenotes

Facebook: @tapenotespodcast

YouTube: Tape Notes Podcast

Discord: Tape Notes

To let us know the artists you’d like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We’d love to hear!

Visit our website to join our mailing list: www.tapenotes.co.uk

HELP SUPPORT THE SHOW

If you'd like to help support the show you can donate as little or as much as you'd like here, (we really appreciate your contributions :)

Donate

TAPE NOTES TEAM

Will Brown - Executive Producer, Engineer & Editor

Tim Adam-Smith - Executive Producer

Will Lyons - Editor

Videographer - Andy Tindall

Guy Nicholls - Production Assistant

  continue reading

159 episoder

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