Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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Baroque Banter Episode 08 - The Music Scene
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Manage episode 377984943 series 3515166
Indhold leveret af Pinchgut Opera. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af Pinchgut Opera eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.
In this episode, Erin Helyard discusses the music scene — those moments in opera where music itself is the topic, and the characters allude to singing or playing or they actually sing a song! Because everything else is sung, how do these “songs” function? Erin explains that there are three kinds of music scene: the song-within-the-opera, the gratuitous music scene, and “meta-opera” (where opera is itself referenced). Erin delves into examples of the music scene from operas of the seventeenth and eighteenth centuries and uncovers how librettists, composers, and performers responded to this most interesting of challenges.
…
continue reading
29 episoder
MP3•Episode hjem
Manage episode 377984943 series 3515166
Indhold leveret af Pinchgut Opera. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af Pinchgut Opera eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.
In this episode, Erin Helyard discusses the music scene — those moments in opera where music itself is the topic, and the characters allude to singing or playing or they actually sing a song! Because everything else is sung, how do these “songs” function? Erin explains that there are three kinds of music scene: the song-within-the-opera, the gratuitous music scene, and “meta-opera” (where opera is itself referenced). Erin delves into examples of the music scene from operas of the seventeenth and eighteenth centuries and uncovers how librettists, composers, and performers responded to this most interesting of challenges.
…
continue reading
29 episoder
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