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The Art of Longevity Season 4, Episode 7: Nerina Pallot

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Manage episode 332422922 series 2926342
Indhold leveret af The Song Sommelier. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af The Song Sommelier eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

After her second album Fires (2005) Nerina Pallot was hot property. She kissed the frog that is ‘fame’ in the music industry, with a BRIT nomination, Ivors nomination and even an appearance on Top Of The Pops. Never quite comfortable with that, her third album The Graduate (2009) was an uneven affair that failed to keep the spotlight shining Nerina’s way. That turned out for the better…

When I heard her new record, the ironically titled I Don’t Know What I’m Doing, I found myself instantly liking it but sensing that the record would grow on me as well - an album that will keep on revealing new depths. In that respect, I wasn’t surprised to hear that the inspiration behind it was the ‘proper pop’ tunes of the 70s: Kate Bush, Stevie Wonder, ABBA, Barry Gibb, Judie Tzuke, Leo Sayer, Carole King and Elkie Brooks! The album is awash in 70s style keyboards and real tunes. If only that Late Night Taxi Ride radio show of mine would ever get off the ground, Nerina’s brand of grown-up pop would feature rather more prominently than it currently does on the UK radio! Or even USA radio for that matter.

“I got flown out tons of times by American labels who thought that Everybody’s Gone To War would be a big radio record, but how do you sell an album that is nothing like the single? I’m not a straightforward sell. I never have been. But that’s where I’m happy”.

Her relatively low profile these days is more a frustration for her fans than Nerina herself, however. Like so many other artists of longevity, Pallot has long since eschewed the attachment to such industry accolades, but her connection to the fan base seems unbreakable:

“I have a strong contract with my audience. The fans are a big part of my records - I want them to feel like at least 3 or 4 songs connect with them - the rest is gravy”. It’s been a circuitous route each time to get my records made, so I don’t want to let them down”.

That frame of mind is what makes a Nerina Pallot album such a treat, and her live shows the best kept secret in town. Good for those lucky, loyal fans.

Support the show

Get more related content at: https://www.songsommelier.com/

  continue reading

62 episoder

Artwork
iconDel
 
Manage episode 332422922 series 2926342
Indhold leveret af The Song Sommelier. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af The Song Sommelier eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

After her second album Fires (2005) Nerina Pallot was hot property. She kissed the frog that is ‘fame’ in the music industry, with a BRIT nomination, Ivors nomination and even an appearance on Top Of The Pops. Never quite comfortable with that, her third album The Graduate (2009) was an uneven affair that failed to keep the spotlight shining Nerina’s way. That turned out for the better…

When I heard her new record, the ironically titled I Don’t Know What I’m Doing, I found myself instantly liking it but sensing that the record would grow on me as well - an album that will keep on revealing new depths. In that respect, I wasn’t surprised to hear that the inspiration behind it was the ‘proper pop’ tunes of the 70s: Kate Bush, Stevie Wonder, ABBA, Barry Gibb, Judie Tzuke, Leo Sayer, Carole King and Elkie Brooks! The album is awash in 70s style keyboards and real tunes. If only that Late Night Taxi Ride radio show of mine would ever get off the ground, Nerina’s brand of grown-up pop would feature rather more prominently than it currently does on the UK radio! Or even USA radio for that matter.

“I got flown out tons of times by American labels who thought that Everybody’s Gone To War would be a big radio record, but how do you sell an album that is nothing like the single? I’m not a straightforward sell. I never have been. But that’s where I’m happy”.

Her relatively low profile these days is more a frustration for her fans than Nerina herself, however. Like so many other artists of longevity, Pallot has long since eschewed the attachment to such industry accolades, but her connection to the fan base seems unbreakable:

“I have a strong contract with my audience. The fans are a big part of my records - I want them to feel like at least 3 or 4 songs connect with them - the rest is gravy”. It’s been a circuitous route each time to get my records made, so I don’t want to let them down”.

That frame of mind is what makes a Nerina Pallot album such a treat, and her live shows the best kept secret in town. Good for those lucky, loyal fans.

Support the show

Get more related content at: https://www.songsommelier.com/

  continue reading

62 episoder

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