Beyoncé’s ‘Cowboy Carter’ transmits joy, honours legends and challenges a segregated industry

Don’t Call Me Resilient

Indhold leveret af Vinita Srivastava, The Conversation, Dannielle Piper, Krish Dineshkumar, Jennifer Moroz, Rehmatullah Sheikh, Kikachi Memeh, Ateqah Khaki, and Scott White. Alt podcastindhold inklusive episoder, grafik og podcastbeskrivelser uploades og leveres direkte af Vinita Srivastava, The Conversation, Dannielle Piper, Krish Dineshkumar, Jennifer Moroz, Rehmatullah Sheikh, Kikachi Memeh, Ateqah Khaki, and Scott White eller deres podcastplatformspartner. Hvis du mener, at nogen bruger dit ophavsretligt beskyttede værk uden din tilladelse, kan du følge processen beskrevet her https://da.player.fm/legal.

6M ago 40:44

MP3•Episode hjem

The release of Beyoncé’s new album, Cowboy Carter, was a much awaited event for a lot of us. There was much anticipation about this being a country album — and a lot of talk about the resistance some radio stations had and still have to that idea. That’s because country music is considered "white music," even though its Black historical roots are well documented. But Cowboy Carter is about so much more than country music. It honours other Black musical legends — and challenges the segregation we still see and hear in the music industry today. Vinita is joined by two experts to talk about it all. Alexis McGee is an Assistant Professor of Writing Studies at the University of British Columbia and author of "From Blues to Beyoncé: A Century of Black Women’s Generational Sonic Rhetorics." And Jada Watson is Assistant Professor of Digital Humanities at the School of Information Studies at the University of Ottawa. Her current research, called SongData, uses music industry data to examine representation in the country music industry.

83 episoder