𝐼𝑡’𝑠 𝑡ℎ𝑒 𝑚𝑜𝑠𝑡 𝑤𝑜𝑛𝑑𝑒𝑟𝑓𝑢𝑙 𝑡𝑖𝑚𝑒 𝑜𝑓 𝑡ℎ𝑒 𝑦𝑒𝑎𝑟… Time for us to rank, rate, and re-evaluate the films we saw at the Trylon in 2024, as well as the episodes we made about them! The Barrys can be a pretty grueling tradition — hours spent re-litigating discussions we’ve already had about movies we’ve already talked about — but who are we kidding, we love goi…

With returning guest Kris Montello, Programming Director for the Asian-American International Film Festival and programmer for the Slamdance Film Festival! Yasujirō Ozu didn’t intend for AN AUTUMN AFTERNOON (1962) to be his final film, but it feels like it. Chishū Ryū is Shuhei Hirayama, an aging salaryman, widower, and father who’s slowly coming t…

Can you make things better? Can you make yourself better? What’s the difference between that and wanting to make things better for someone else? Jim Wilson (Robert Ryan) is a troubled cop. Misanthrope, former football star, loose cannon cop — he struggles to reconcile the stated altruism of his job with the ineffectual brutality that makes him so g…

Arguably Yasujirō Ozu’s masterpiece, GOOD MORNING (1959) has more going on than its simple plot would have you believe. World War II is fully in the rearview in a quiet, out-of-the-way town. Instead of wartime anxieties, nosy neighbors gossip about their friends’ lifestyles; punkish kids covet the new TV set next door; men teach boys how to fart on…

Bret Easton Ellis’s original novel featured vivid descriptions of depraved acts, but Mary Harron’s film adaptation of AMERICAN PSYCHO has a slithering unctuousness all its own. Christian Bale is Patrick Bateman, a Wall Street VP by day and a murderer at large by night. Problem is, those two things don't stay separate for long. Despite the heft of i…

Shortly after announcing a sweeping shakedown, Chinatown gangster Frank Baturin (Akim Tamiroff) is targeted by his right-hand man in a vicious power play. When the hit fails, Baturin’s life is left in the hands of Mary (Anna May Wong), a one-in-a-million surgeon — and daughter of a Chinatown medicine shop owner — who nurses Baturin back to health. …

After her father is killed for refusing to be extorted by the leaders of a human trafficking operation, Yan Ling (Anna May Wong) and Kim Lee (Phillip Ahn) jet across the islands of Puerto Rico on their way to the ringleader. When Anna May Wong starred in Robert Florey’s DAUGHTER OF SHANGHAI, it was hailed as a milestone in Hollywood’s progress towa…

Don Hertzfeldt’s creative, experimental animation style is almost universally acclaimed. His early short works helped him bridge the gap (albeit accidentally) from festival darling into a filmmaker synonymous with pre-YouTube online video culture. His first feature film, IT’S SUCH A BEAUTIFUL DAY, tells the story of Bill, a man defined by his neuro…

We’re no strangers to the work of Nobuhiko Obayashi. A visionary and an auteur, almost all of his work centers the human experience, especially through the media of film. Shared emotion, his filmography says, is the most important thing a human can feel. Can choose to feel. Based on a true story, BEIJING WATERMELON is no exception: Shunzo (Bengal),…

Something’s waiting in the woods! THE EVIL DEAD is a masterwork of budget filmmaking, and it kick-started a genre all its own. In this discussion, we look back at the movie as the origin of comedy-horror cinema, as a rebuke of classic Hollywood horror style, and as a damn fun crowd-pleaser. References: “Interview: A Grandmother on The Evil Dead” by…

With returning guest Dan Nagan! A double-booked Airbnb in a rundown Detroit neighborhood is much, much more than it seems. It’s better as a surprise, so we won’t spoil anything with this description, but you should know BARBARIAN is ultimately a story about control: Over narratives, land, culture, and personhood itself. **References: ** “Trailers f…

KILLER BEAN FOREVER is an independently created animated feature about Killer Bean, a vigilante anthropomorphized coffee bean with a chip on his shoulder and a bitter rivalry with the troublesome gangs of Beantown. Claiming inspiration from classic action cinema, particularly the work of gun fu genre pioneer John Woo, the idiosyncratic KILLER BEAN …

It defined an entire era of filmmaking. It recontextualized the tropes and narratives that came before. It festoons college dorm rooms across the world. It played at the Trylon on a newly struck 35mm print in 2024. Quentin Tarantino’s sophomore feature PULP FICTION is still “that movie”, whatever that means. An all-star cast stretched across three …

With special guest Abbie Phelps (@GoodHunterAbbie)! THE TRAIN is a fantastic Burt Lancaster vehicle, a showcase for supporting performers Paul Scofield and Jeanne Moreau, and, in a career dotted with bangers, one of director John Frankenheimer’s finest. With the Nazi occupation of France coming to an end, railway supervisor Paul Labiche (Lancaster)…

Kokubu (Raizô Ichikawa), captain of his university's kendo team, is a mystery to those who know him: An ascetic dedicated to a point of obsession with the simplicity and beauty of the sword arts. Kagawa (Yūsuke Kawazu), a promising but arrogant kendo student, is attracted to Kokubu's devout leadership but kept at a distance by his standoffish natur…

With returning guest Natalie Marlin! SECONDS is a 1966 film directed by John Frankenheimer from the original novel by David Ely. Past-his-prime New York banker Arthur Hamilton (John Randolph) elects to undergo a procedure to give himself a new face and a new life. The Company, the shady organization that offers this service, completely reconstructs…

KIRU (also known as DESTINY’S SON) is a 1962 samurai film directed by Kenji Misumi and written by Kaneto Shindo, based on a novel by Renzaburo Shibata. The film stars Raizo Ichikawa as Shingo, the secret son of an assassin executed for the crime of killing her lord’s concubine. Shingo learns of his true nature after a rival family massacres his ado…

With Danny “Bagadonuts” Nagan, a real-life good fella and cohost of the Everything We Learned podcast! I mean, it’s GOODFELLAS. If you haven’t seen it, you kinda already have. But you should absolutely still see it (take it from Jason). Despite his status as an Irish-Italian-American, Henry Hill (Ray Liotta) is a fish IN water among the most powerf…

With Trylonteer and Perkins superfan Kelly Krantz (@kransekage_)! PLAY IT AS IT LAYS is a 1972 drama film directed by Frank Perry from a novel and screenplay by Joan Didion. The movie stars Tuesday Weld as Maria Wyeth, a depressed actress stuck in an unhappy separated marriage with director Carter Lang (played by Adam Roarke), and Anthony Perkins a…

20 years after the world’s last baby was born, revolutionary-turned-working stiff Theo Faron (Clive Owen) is content to coast until the end catches up to the world — until his former lover and the mother of his dead son Julian (Julianne Moore) wrangles him into a plan to escort expecting mother Kee (Clare-Hope Ashitey) to safety. Remembered (and he…

With special guest Blake Hester! When a secretive businessman passes away before he can be crowned chairman of a local yakuza family, his daughter — a precocious, disaffected schoolgirl — is suddenly thrust into the role. Surprised by her coronation but determined to restore the group’s good name, Izumi (Hiroko Yakushimaru) reluctantly assumes cont…

The Trylon turns 15 this year! That means it’s been five years since we first welcomed Trylon Film Programmer John “Mo’ Retta Blues” Moret to the podcast for a 10th anniversary interview. With five years of history to look back on and an extra-long, banger-laden Fall 2024 calendar to discuss, we sat down again with John in the hallowed lobby of the…

In Jonathan Glazer’s BIRTH, one woman’s inability to move past the death of her husband brings only more tragedy to her life when she’s forced to confront a version of him she never knew. When a 10-year-old boy named Sean (Cameron Bright) claims to be the reincarnation of Anna (Nicole Kidman)’s husband of the same name, the soon-to-be-remarried wid…

You’ve never seen a zombie movie like Shinichirou Ueda’s cult hit ONE CUT OF THE DEAD. It’s best if I don’t type anything more about it here, actually, just in case you haven’t seen it. (Little peek behind the curtain in keeping with the theme of the movie: It’s also because your editor is typing this on his lunch hour at his day job.) Suffice to s…

Impenetrable musing or Tarkovsky’s best? NOSTALGHIA is one of the Russian director’s most personal, maybe his single most personal, but that’s not the only lens (or even the most interesting one) to look at it through. In this discussion of her first and only Tarkovsky (so far), Natalie joins to help us see this one more clearly through a new lens!…