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A journey in time through the films of the Criterion Collection.
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Welcome to the Criterion Creeps podcast. A podcast hosted by Jarrett and RJ where they talk about the Criterion Collection spine by spine in order of release every Wednesday.
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Two friends talk about cinema and the Criterion Collection. Yeah, it's another podcast. You're welcome.
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A monthly review of the arts and intellectual life. Interviews, poetry readings, musical criticism, and more. newcriterion.com
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The Adam Glass and John Patrick Owatari-Dorgan attempt the sisyphean task of watching every movie in the ever-growing Criterion Collection. Want to support us? We’ll love you for it: www.Patreon.com/LostInCriterion
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A podcast for fans of the Criterion Collection.
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How do we disrupt the entrenched power dynamics in finance to advance a more equitable future? Join us for the Criterion Institute Podcast as Joy Anderson, a global thought leader in business and social change, leads us through a series of discussions, interviews, frameworks, rants, and re-frames that will help you better understand how to use finance as a tool for transformative systems change. Learn more by visiting us at www.criterioninstitute.org.
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The Criterion Collection is an ever-growing roster of movies deemed internationally significant on an artistic level. Each new film added to the collection is given a Spine Number, making any film NOT in the collection: SPINELESS. Join Nick and Brennan (your very-favorite SPINELESS BOYS) as they cover the classic and contemporary films they feel are most deserving of the Criterion treatment.
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Learn about our students and faculty of La Sierra University.
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This feed contains episodes 51 through 100 of the CriterionCast. It is for archival purposes.
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Jake and Alec, student writers for Colorado Mesa University's the Criterion, discuss politics, both global and local.
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A closer look at titles and directors from the Criterion Collection
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A current rundown of the world of Criterion with a round table of guests. We talk about new and upcoming releases, what's happening on FilmStruck, and other related topics related to the Criterion Collection.
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Main episodes of the Criterion Cast podcast
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Two friends band together on an epic quest to make their way through the entire Criterion Collection
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Podcaster Bil Antoniou of BGM: Bad Gay Movies Bitchy Gay Men goes through his Criterions and talks about the movies and the memories they inspire, along the way chatting with a few friends. This podcast is not affiliated with the Criterion Collection and no copyright infringement is intended.
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With the start of the Criterion Channel, Rachel Wagner and Conrado Falco thought it would be fun, once a month, to talk about a film offered there. Support this podcast: https://podcasters.spotify.com/pod/show/criterionproject/support
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The show where we horse around and talk about some of the finest films in cinema history.
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Surprisingly Criterion - the podcast where we select and talk about the films that we’re surprised are a part of the Criterion Collection, and the films we can’t believe are not! The Criterion Collection brands itself as a depository of important classic and contemporary films for film aficionados. Their collection features over a 1000 movies and counting! Surely all of these can’t be important, can they? What does 'important' even mean!
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We're a husband and wife duo that met in a film noir class and have decided to watch all of the Criterion Collection releases from the beginning and podcast about our journey through cinema.
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Casual Cinecast is a weekly film and TV podcast where we discuss current movies, watch through the Criterion Collection and much more! Every review has a spoiler free section!
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Two Austin knuckleheads discuss movies from the Criterion Collection, as well as anything else that distracts them.
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Welcome to the Criterion Correction! In this podcast, we'll be delving into the Criterion Collection of films to try and figure out what each says about the craft of cinema and what, exactly, it takes to become part of the collection. Join us for rousing conversation and many, many references to geekery and film culture.
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A look into the Criterion Collection, one spine number at a time. Each episode Darin looks at a movie from the Criterion Collection and shares what he thought.
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Brave film explorer comrades Joey Reinisch and Chris McCaleb journey to far the reaches of cinema. In each mission, they will analyze, report and criticize a film from THE CRITERION COLLECTION, hopefully maintaining their sanity in the presence of extreme motion picture brilliance...or something.
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The Criterion Chat #100 - Christmas Wish List #9
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In this annual Christmas episode, Nate, Matt, and special guest Bryan share their wish lists for titles they'd like to see inducted into The Criterion Collection.
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Music for a While #95: In dulci jubilo
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33:16
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A Christmas selection: songs old and newer, performed by Leontyne Price, Luciano Pavarotti, Heidi Grant Murphy, Odetta, Mel Tormé, et glorious al.Trad., “Angels We Have Heard on High”Bach, “Herr, wenn die stolzen Feinde schnauben,” from the Christmas OratorioTrad., “Ríu ríu chíu”Trad., “Il est né, le divin Enfant”Schultz, “Ihr Kinderlein, kommet”Sc…
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There are two David Fincher movies in the Criterion Collection, and The Game (1997) is the better one by a long shot, solely for not featuring the monstrous simulacrums of the human form that exist throughout The Curious Case of Benjamin Button (2008. Spine 476). The Game is mostly an interesting thriller that doesn't do enough with its San Francis…
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#42: 10 Years On: Reflecting on the State of Gender Lens Investing
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In this episode, Joy reflects on the 10-year anniversary of the State of the Field report on gender lens investing, co-authored with Katherine Miles in 2015. She revisits the report's framework, which categorized the field into three key areas: ideas, activity, and people and organizations. Joy highlights the progress made over the past decade, inc…
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Criterion Creeps Episode 399: Fanfan la Tulipe
2:47:31
2:47:31
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It feels like a lifetime ago... Podcast's intro song 'Here Come the Creeps' performed by Souless AI Software SUNO, written by Ugly Cry Club.Like us on Facebook!www.facebook.com/criterioncreeps/Follow us on that Twitter!twitter.com/criterioncreepsFollow us on Instagram!instagram.com/criterioncreepsWe've got a Patreon too, if you are so inclined to s…
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It's A Wonderful Life (1946)
1:34:49
1:34:49
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Christmas Eve. A supernatural force. A shot at redemption. Dwayne “The Rock” Johnson. This week, the Spineless Boys discuss the timeless classic RED ONE (2024). Just kidding, we’re actually talking about Frank Capra’s 1946 masterpiece IT’S A WONDERFUL LIFE, the best film ever made about an uncle named Billy (among other things). Can Brennan and Nic…
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Criterion Reflections is David Blakeslee’s ongoing project to watch all of the films included in the Criterion Collection in chronological order of their original release. Each episode of Season 5: 1973 features a discussion about films that were destined to eventually bear the Criterion imprint, whether published on physical media or made availabl…
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Spine 626: Les Visiteurs du Soir
1:28:04
1:28:04
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Marcel Carné made Les Visiteurs du Soir (1942) during Nazi occupation of France for a Nazi-owned production company, and while one could argue that this is collaboration and one could also argue that Carné used his position to help Jewish artists keep working, that fact that this is a Nazi-produced film is somehow not the most egregious part of the…
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Music for a While #94: Zweig & Strauss et al.
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32:44
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Lately, Jay has been writing about Stefan Zweig’s memoirs, “The World of Yesterday.” Zweig was a writer of immense talent and versatility. He also knew a lot of music and a lot of musicians. Composers set poems of his to music. Strauss collaborated with him on an opera. This episode is dedicated to Zweig and music.Reger, “Ein Drängen ist in meinem …
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Paul Bartel directs this black comedy that's "not Lubitsch—but it’s not quite John Waters either", according to Criterion essayist David Ehrenstein. Eating Raoul (1982), is a story of America, of the normally hidden and unpunished violence of wealth accumulation. Or it's a story of America, of two prudish weirdos punishing the people they don't lik…
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Criterion Reflections is David Blakeslee’s ongoing project to watch all of the films included in the Criterion Collection in chronological order of their original release. Each episode of Season 5: 1973 features a discussion about films that were destined to eventually bear the Criterion imprint, whether published on physical media or made availabl…
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Criterion Reflections – Episode 151 – Robert Altman’s The Long Goodbye
1:47:08
1:47:08
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Criterion Reflections is David Blakeslee’s ongoing project to watch all of the films included in the Criterion Collection in chronological order of their original release. Each episode of Season 5: 1973 features a discussion about films that were destined to eventually bear the Criterion imprint, whether published on physical media or made availabl…
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#41: On Being Christian: Identity and Action Through Investments
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In this episode, Joy discusses the intersection of faith and finance, particularly in the context of addressing gender-based violence. She reflects on her Christian faith and its implications in a world where many voices misrepresent Christianity. The episode also delves into a roadmap created for Christian denominations to utilize their investment…
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Criterion Creeps Episode 398: Bottle Rocket
3:30:46
3:30:46
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So much Buffy/Angel talk, you'll puke.Podcast's intro song 'Here Come the Creeps' performed by Souless AI Software SUNO, written by Ugly Cry Club.Like us on Facebook!www.facebook.com/criterioncreeps/Follow us on that Twitter!twitter.com/criterioncreepsFollow us on Instagram!instagram.com/criterioncreepsWe've got a Patreon too, if you are so incline…
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In 1975, the enigmatic Ken Russell adapted and directed The Who's concept album/rock opera Tommy into a memorable film. The Who, apparently, really enjoyed making movies and decided to follow it up four years later with an adaptation of Quadrophenia (1979), but this time hiring Franc Roddam who would go on to create MasterChef and is noticeably not…
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The Criterion Chat #99 - On the Waterfront
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In this episode, Nate and Matt hit the docks to discuss Elia Kazan's 1954 classic "On the Waterfront".
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Music for a While #93: Thanksgiving time
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As Jay explains in his introduction, he has done many Christmas podcasts. And Fourth of July podcasts. And an Easter podcast or two. And Halloween podcasts. But not until now a Thanksgiving podcast. So, here are songs of gratitude and other items appropriate to the holiday. A little feast on its own, filling but not fattening.Handel or Ochs, “Dank …
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Criterion Creeps Episode 397: Missing
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Surely this time American audiences will wake up to the nightmare of their own making??Podcast's intro song 'Here Come the Creeps' performed by Souless AI Software SUNO, written by Ugly Cry Club.Like us on Facebook!www.facebook.com/criterioncreeps/Follow us on that Twitter!twitter.com/criterioncreepsFollow us on Instagram!instagram.com/criterioncre…
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Does anybody have any idea what's going on? Please help...we're CLUELESS!!!!!!!!!!!!! In their most chaotic episode yet, Nick and Brennan discuss Amy Heckerling’s bright and bubbly teen comedy CLUELESS while facing the existential threat of an Election Day. Does Cher have a better policy on immigration than Trump? Yes. Does Breckin Meyer look distr…
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We get three early films from Paul Fejos all under the banner of his 1928 part-talkie Lonesome. Also on the Criterion release is the much more interesting to us Broadway (1929) and the much less interesting to us The Last Performance (1929). Each film is inventive and interesting in its own right, but Broadway just kept getting bigger, facilitated …
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#40: Gender Lens Investing in a Time of Backlash: Why it Matters Now More Than Ever
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In this episode, Joy discusses the implications of the recent U.S. elections on transformative systems change, emphasizing the need to look beyond government solutions. She advocates for gender lens investing as a crucial strategy in the current socio-political climate, urging listeners to analyze gender norms and structural inequities in investmen…
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Music for a While #92: A few of our favorite things
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This episode begins with Mozart—the glorious, peppy last movement of a piano concerto—and ends with Sarah Vaughan, singing a song (“Black Coffee”). In between we have Bill Monroe, Fanny Mendelssohn, Earl Scruggs—a real variety show. But all to a purpose.Mozart, Piano Concerto No. 14 in E flat, K. 449, last movementClarke, “The Cloths of Heaven”Monr…
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Criterion Creeps Episode 396: Le Deuxieme Souffle
2:38:46
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Double fisting blasting actionPodcast's intro song 'Here Come the Creeps' performed by Souless AI Software SUNO, written by Ugly Cry Club.Like us on Facebook!www.facebook.com/criterioncreeps/Follow us on that Twitter!twitter.com/criterioncreepsFollow us on Instagram!instagram.com/criterioncreepsWe've got a Patreon too, if you are so inclined to see…
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In this week's Substack essay, Brennan investigates why one of the most beloved teen comedies of all time features an incest subplot. To subscribe, visit The Spineless Boys’s Substack. The Criterion Collection is an ever-growing roster of movies deemed internationally significant on an artistic level. Each new film added to the collection is given …
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Andrew Haigh's Weekend (2011) is an exquisite character study of a Friday-Sunday fling between two pretty opposite young men, in a precarious time where homophobia is constantly bubbling in the background. It's also just one of the cutest love stories we've experienced in the Criterion Collection. Just an absolute delight of a movie.…
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Criterion Creeps Episode 395: Le Doulos
2:13:34
2:13:34
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Your one stop shop for mispronouncing of French words.Podcast's intro song 'Here Come the Creeps' performed by Souless AI Software SUNO, written by Ugly Cry Club.Like us on Facebook!www.facebook.com/criterioncreeps/Follow us on that Twitter!twitter.com/criterioncreepsFollow us on Instagram!instagram.com/criterioncreepsWe've got a Patreon too, if yo…
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Watch your step, there's Shattered Glass all over the place! Just kidding folks, we’re having a good time here. There’s no shattered glass like shards anywhere it’s actually just a movie called Shattered Glass. On this week’s episode, The Spineless Boys dive in to one of the most underrated indies of the early-2000s. No lie here: The Boys talk abou…
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Criterion Reflections is David Blakeslee’s ongoing project to watch all of the films included in the Criterion Collection in chronological order of their original release. Each episode of Season 5: 1973 features a discussion about films that were destined to eventually bear the Criterion imprint, whether published on physical media or made availabl…
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continue reading
Criterion Reflections is David Blakeslee’s ongoing project to watch all of the films included in the Criterion Collection in chronological order of their original release. Each episode of Season 5: 1973 features a discussion about films that were destined to eventually bear the Criterion imprint, whether published on physical media or made availabl…
…
continue reading
Criterion Reflections is David Blakeslee’s ongoing project to watch all of the films included in the Criterion Collection in chronological order of their original release. Each episode of Season 5: 1973 features a discussion about films that were destined to eventually bear the Criterion imprint, whether published on physical media or made availabl…
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Music for a While #91: Theme songs
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Jay begins with the song for which the podcast is named: “Music for a While,” by Purcell. He ends with some theme music by the late Quincy Jones, “The Streetbeater.” In between are Mendelssohn, Liszt, Sibelius, and estimable others. A nicely diverse program.Purcell, “Music for a While”Mendelssohn, “Song without Words”Mozart, Symphony No. 35 in D, “…
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Last week Criterion introduced us to the work of Luc and Jean-Pierre Dardenne with a phenomenal film, but this week they follow it up with something somehow even better. From it's frenetic first few minutes, Rosetta (1999) is the story of a a young woman that believes she can find freedom, or at least dignity, or at least normalcy in work. But she,…
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